Review of Alien (1979) by Moviemastereddy — 08 Apr 2016

When Alien was first released during the summer movie season of 1979, science fiction films were all the rage. The trend had been started two years earlier with the unexpected box office success of Star Wars, and, by 1979, anything even remotely connected with space and/or aliens was guaranteed to raise some interest. Two highly anticipated efforts - the big-screen debut of Star Trek (Star Trek: The Motion Picture) and the Star Wars sequel (The Empire Strikes Back) - both of which were within a year of their opening dates, further invigorated the atmosphere. It was into this climate that Alien was unleashed upon the general public.

The film's memorable tag line, "In space, no one can hear you scream", promised a far different experience than the popcorn entertainment of Star Wars or the kinder, gentler saga of Close Encounters of the Third Kind. In fact, Alien was as much horror as it was science fiction. In fact, one could make a convincing argument that there is more synergy between this picture and John Carpenter's Halloween than between Alien and any of the other umpteen sci-fi movies invading movie theaters at the time. Alien is about shocks and chills and thrills, not space battles. Where Star Wars has light sabers and blasters, Alien has intense atmosphere.

In many ways, Alien was the first of a kind. True - it wasn't the first space movie to feature a homicidal monster, nor was it the first time a group of characters were hunted down one-by-one in dark, dank spaces. However, this "haunted house in space" film was one of the first to effectively cross-pollinate these two genres. Alien became the blueprint for dozens of rip-offs and three sequels. With one exception (James Cameron's superior Aliens, which substituted all-out action for creepy horror), none has come close to what the filmmakers attained with the 1979 feature.

The director of Alien is British-born Ridley Scott, who was stepping behind the camera for only the second time (his feature debut was 1977's The Duellists). Along with 1982's Blade Runner, Alien cemented Scott as a filmmaker of great promise and ability. These days, whenever the director releases a new film, reviewers will inevitably mention Alien, Blade Runner, or both somewhere within the text of their write-up.

In addition to blending graphic horror with science fiction, Alien has another distinction - it is one of the first films to feature a female action hero. Even today, on those rare occasions when a woman takes the lead in an action/adventure movie, she is typically measured up to Sigourney Weaver's Ellen Ripley. In actuality, much of Ripley's reputation is based on events in Aliens, where she strikes back against the creatures with a vengeance. In Alien, Ripley is essentially just one of several crew members - until the end, when she's the last one standing (not counting Jones the cat). Having Ripley as the hero of Alien is an interesting twist. In 1979, viewers automatically expected that role to be filled by Tom Skerritt - not only because he had top billing, but because he is a man.

Alien is a perfect example of a director gradually elevating the level of energy and anticipation in a motion picture. The way Scott meticulously raises the sense of menace and tension is worthy of Hitchcock. Like Steven Spielberg's great thriller Jaws, this atmosphere-soaked production relies on the viewer's imagination to enhance the alien's nightmarishness. Scott carefully restricts how much we see of the creature - there's enough to provide our minds with horrifying images, but not so much that the illusion is spoiled.

Alien contains its fair share of genuine scares. These aren't mere "boo" moments, where something benign jumps out of the shadows accompanied by a loud noise and a musical crescendo, but legitimate shocks. The first occurs when the face-hugger leaps out of the egg and attaches itself to Kane. The second is when the alien explodes through Kane's chest. Then, during the hunt for the alien, there are numerous others. In fact, the level of suspense during the film's final 30 minutes becomes almost unbearable. What started as a seemingly low-key motion picture turns into a real white-knuckler.

Despite not featuring any big names, the cast for Alien is comprised of credible actors, including two --Ian Holm and John Hurt - who have won numerous critical plaudits and earned Oscar nominations. Ironically, Sigourney Weaver, who would go on to be the most successful of the Alien stars, arguably gives the least impressive performance. Weaver is an uneven actress, with strengths in comedy and action, but weaknesses in drama.

In its own way, Alien was as influential as Star Wars, proving that in the '70s/'80s wave of sci-fi, there was room for darker, grittier stories than the ones set a long time ago in a galaxy far, far away.