Review of Alien (1979) by Halfwelshman — 28 Mar 2012

Alien is Ridley Scott at his very best. Intelligent, atmospheric and scary, it has quite rightly become an icon of both science-fiction and horror cinema. Like all of his films, it's visually flawless, and thematically complex, but this never detracts from what matters - character and story.

There will never be another female action hero like Ellen Ripley (the sublime Sigourney Weaver) and it is in this film you see her as she was meant to be - strong, level-headed and independent, before James Cameron sunk his over-sentimental, popularity-clamoring, profiteering claws in with Aliens, which softened and some would say ruined the character of Ripley with unnecessary trivialities like a maternal instinct.

The rest of the crew of the Nostromo all play their part, with John Hurt's Kane, Ian Holm's Ash and Harry Dean Stanton's Brett in particular making their mark. Alien maintains its tension throughout, and plays cleverly into the viewer's (and by extension humanity's) fear of the unknown, and Scott imbues the whole film with an intense feeling of claustrophobia, which the director himself suffers from.

. It doesn't suffer from the problem that plagues so many modern horror films, that of predictability as it wrote much of the rule book. You'd be hard pressed to guess the order of the crew's grisly ends, and who'll make it out alive, as you often can in contemporary horror (something the Scream series lampoons extremely effectively).

It is also highly influential in the realms of sci-fi (as it should be - it's mostly set on a frickin' spaceship) - only Scott can communicate the evil of big corporations as well, and the dark and manipulative force that pulls the strings behind the scenes of the narrative is in many ways more frightening than the alien itself.

Don't get me wrong, the alien is fantastic, and H. R. Giger's mecha-organic dream case study for psychoanalysts makes an extremely effective symbol for the film's horrific themes, and its appearance has now deservedly become embedded in popular culture.

In 1979, Alien was a film the likes of which the world had never seen before. Even today it leaves an impression - it's an uncompromising and provocative sci-fi/horror hybrid that is a feast for the eyes and the mind, and gives you a fair amount of heart-jolting scares for good measure.

Here's hoping Ridley Scott delivers with Prometheus, and does justice to his own film legacy when he revisits it.