Review of Aladdin (2019) by Barry Hertz for The Globe and Mail (Toronto) — 21 May 2019
Each frame is drowning in vibrant colours and packed with so many decked-out extras that Aladdin’s environment seems less like a typical CGI-enabled sound stage, and more like a tangible, if bombastically stylish, world of its own.
You can read the full review where it was originally posted online.
This review of Aladdin (2019) was written by Barry Hertz and published by The Globe and Mail (Toronto) on 21 May 2019.
Aladdin has generally received positive reviews.
Was this review helpful?
Yes
No
