Review of Aftermath (2017) by Anthony Lane for The New Yorker — 09 Apr 2017
The first third of Aftermath is stripped to emotional basics (one man seized up with grief, another with guilt), and it delivers quite a jolt. Sadly, as the characters converge, the rest of the movie loses force; it slackens and then rushes, and the time frames feel out of joint.
You can read the full review where it was originally posted online.
This review of Aftermath (2017) was written by Anthony Lane and published by The New Yorker on 09 Apr 2017.
Aftermath has generally received mixed reviews.
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