After Yang (2022) - Movie Reviews - Page 3 of 3

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Review of After Yang (2022)

By Anthony Lane (1,079) for The New Yorker (1,837) on 28 Feb 2022

You may start to wish you’d gone to see the new “Jackass” movie instead…

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Review of After Yang (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 27 Jan 2022

So many visions of the future seem distant, but “After Yang” hits home in how it centers connection and experience to which we can all…

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Review of After Yang (2022)

By Tasha Robinson (753) for Polygon (677) on 27 Jan 2022

After Yang is intensely internal and personal, as grief so often is, which guarantees it won’t connect with a wide audience…

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Review of After Yang (2022)

By Siddhant Adlakha (174) for IGN (1,013) on 25 Jan 2022

With melancholy performances and an eye for natural beauty, Kogonada’s second feature film draws from masters of the past to create a glowing…

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Review of After Yang (2022)

By Mae Abdulbaki (411) for Screen Rant (892) on 25 Jan 2022

With such a slow and empty buildup, After Yang often feels as disconnected as most everyone is in the film…

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Review of After Yang (2022)

By Todd Gilchrist (762) for TheWrap (3,203) on 23 Jan 2022

The control and confidence of its form, paired with an emotionality that is at once effortless and irresistibly powerful, makes the film feel…

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Review of After Yang (2022)

By Ben Pearson (42) for Slashfilm (971) on 23 Jan 2022

An effective blend of lyrical impressionism and controlled precision, After Yang is another quietly impressive effort from Kogonada…

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Review of After Yang (2022)

By Alan Ng (404) for Film Threat (5,156) on 23 Jan 2022

After Yang is a good-looking movie, especially for one that’s mostly talking and conversations, the acting is good — an easy feat for seasoned…

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Review of After Yang (2022)

By Jason Gorber (520) for Slashfilm (971) on 12 Jul 2021

Kogonada’s precision, akin to the blend we witness the master tea maker assembling, prodding gently with a wooden utensil to craft a perfect…

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Review of After Yang (2022)

By Rory O'connor (154) for The Film Stage (3,162) on 11 Jul 2021

Though ambitious in reach, its tone is one-note, stilted, and saccharine sweet; its ideas as disjointed as they are ultimately unsatisfying…

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Review of After Yang (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 10 Jul 2021

The experience of watching it produces readily identifiable flavors and associations: It’s a gentle-toned family drama and a moody futuristic…

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Review of After Yang (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 10 Jul 2021

It’s a real tea-drinker’s piece, wanting you to sit down and let its hushed insights, like some earthy infusion, linger on the palate…

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Review of After Yang (2022)

By John Bleasdale (289) for CineVue (2,163) on 10 Jul 2021

After Yang is a moving, subtle and grounded piece of science fiction that doesn’t necessarily get to the core, but certainly hits the heart…

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Review of After Yang (2022)

By Pat Brown (171) for Slant Magazine (8,298) on 10 Jul 2021

Kogonada’s film doesn’t trust us to recognize the legitimacy of the other’s being without filtering it solely through the lenses of the…

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Review of After Yang (2022)

By Rodrigo Perez (382) for The Playlist (3,871) on 09 Jul 2021

Poignant and poetic, After Yang is a soulful and heartbreaking meditation on impermanence full of poignant wonder and riches of human grace…

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Review of After Yang (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 09 Jul 2021

Through its hushed portrait of loss and reclamation, After Yang whispers a powerful fable about an all too present tomorrow in which people…

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Review of After Yang (2022)

By Peter Debruge (1,557) for Variety (12,700) on 09 Jul 2021

The movie’s pulse seldom rises above resting, but the director invites audiences to dive as deep as they want to go into the film’s themes,…

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Review of After Yang (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 09 Jul 2021

This is a film of transporting grace and compassion, cerebral but never cold…

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Review of After Yang (2022)

By Jonathan Romney (434) for Screen Daily (1,021) on 09 Jul 2021

A beautifully executed, intellectually searching and sometimes droll futuristic drama…

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