Review of Adrift (2016) by Michael Rechtshaffen for Los Angeles Times — 28 Nov 2016
Lopez’s first feature comes across as fragmented and overwrought, with characters and performances that seem to have been egged on by the score’s achingly purposeful piano.
You can read the full review where it was originally posted online.
This review of Adrift (2016) was written by Michael Rechtshaffen and published by Los Angeles Times on 28 Nov 2016.
Adrift has generally received positive reviews.
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