Review of A Streetcar Named Desire (1951) by Pauline Kael for New Yorker — 02 Jan 2018
Elia Kazan’s direction is often stagy, and the sets and the arrangement of actors are frequently too transparently “worked out,” but who cares when you’re looking at two of the greatest performances ever put on film and listening to some of the finest dialogue ever written by an American?
You can read the full review where it was originally posted online.
This review of A Streetcar Named Desire (1951) was written by Pauline Kael and published by New Yorker on 02 Jan 2018.
A Streetcar Named Desire has generally received very positive reviews.
Was this review helpful?
Yes
No
