Review of A Requiem for Syrian Refugees (2014) by Anita Gates for The New York Times — 15 Oct 2014
A Requiem for Syrian Refugees is as powerfully direct as it is unfortunately heavy-handed, with lingering black-and-white close-ups of barbed wire and children’s wide eyes. But the film is eloquent, too, thanks to the voices of the refugees themselves.
You can read the full review where it was originally posted online.
This review of A Requiem for Syrian Refugees (2014) was written by Anita Gates and published by The New York Times on 15 Oct 2014.
A Requiem for Syrian Refugees has generally received very negative reviews.
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