Review of A Hologram for the King (2016) by Michael Phillips for Chicago Tribune — 20 Apr 2016
The tone and rhythms are pushy, forced, strained, like the expression on Hanks' face. What should be casual punctuation, filmed in medium shot, ends up in bam-pow close-ups.
You can read the full review where it was originally posted online.
This review of A Hologram for the King (2016) was written by Michael Phillips and published by Chicago Tribune on 20 Apr 2016.
A Hologram for the King has generally received mixed reviews.
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