Review of A Fantastic Woman (2017) by Anthony Lane for The New Yorker — 22 Jan 2018
Now and then, Lelio departs into reverie and daydream, and it’s here, loosening the bonds of his naturalistic style, that he draws us closer to the mystery of Marina.
You can read the full review where it was originally posted online.
This review of A Fantastic Woman (2017) was written by Anthony Lane and published by The New Yorker on 22 Jan 2018.
A Fantastic Woman has generally received positive reviews.
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