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Review of by Christy Lemire for RogerEbert.com — 17 Jan 2020

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While the performances are stronger and the narrative is more coherent than you’d see in a “Madea” movie, for example, Perry’s latest still features many of the auteur’s trademarks: dizzying tonal swings, awkward blocking, drab lighting, jarring edits and a mixture of the salacious and the puritanical.

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This review of A Fall from Grace (2020) was written by and published by RogerEbert.com on 17 Jan 2020.

A Fall from Grace has generally received mixed reviews.

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