Review of A Clockwork Orange (1971) by Daniel A — 18 Apr 2014

By far the eeriest movie I have ever watch!

This review of A Clockwork Orange (1971) was written by Daniel A on 18 Apr 2014.

A Clockwork Orange has generally received very positive reviews.

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More Reviews of A Clockwork Orange

Review of A Clockwork Orange (1971)

By Tyler G (322) on 23 Jun 2018

Brilliant. Kubrick out did himself. Just as great as the book. Not for the faint of heart though…

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Review of A Clockwork Orange (1971)

By Andremax (144) on 30 Oct 2018

Which is more classical? The book, excellent in every aspect or Kubrick's movie that eternalized A Clockwork Orange forever…

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Review of A Clockwork Orange (1971)

By 15Teententh (1) on 18 Jul 2018

I really really really really really really really really really really really like this…

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Review of A Clockwork Orange (1971)

By J.r. R (103) on 17 Jan 2018

This movie is in the top ten in history...Probably the only film to follow the book word for word...maybe a the or and missing, This film SERIOUSLY…

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Review of A Clockwork Orange (1971)

By Robwinz (191) on 11 Dec 2020

A Clockwork Orange is honestly a masterpiece and a half…

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Review of A Clockwork Orange (1971)

By Ahmedaiman1999 (142) on 11 Feb 2020

The excessive, exaggerated, outrageous and gratuitous vulgarity of the overlong first act kept me from watching this otherwise work of genius…

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Review of A Clockwork Orange (1971)

By Marin M (205) on 23 Jun 2018

Brilliant. Kubrick out did himself. Just as great as the book. Not for the faint of heart though…

Read Review

Review of A Clockwork Orange (1971)

By Cinemabon (10) on 07 Apr 2018

Continuing his method of using a classic music soundtrack as he did in 2001, Kubrick uses classical music to emphasize a future world obsessed…

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Review of A Clockwork Orange (1971)

By The3Academysins (492) on 24 Jan 2020

Stanley Kubrick has made a lot of great, mind bending, and timeless movies, but this one might just be his masterpiece…

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Review of A Clockwork Orange (1971)

By Christopher Ricks (1) for The New York Review of Books (223) on 22 Mar 2018

It has a central failure of courage and confidence, manifest in its need to caricature (bold in manner, timid at heart) and in its determination…

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