5 to 7 (2014) - Critic Reviews - Page 2 of 3

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Review of 5 to 7 (2014)

By Kerry Lengel (223) for Arizona Republic (3,909) on 08 Apr 2015

For an R-rated romance about a young writer's affair with a sultry French siren, 5 to 7 generates all the heat of an Easy-Bake Oven…

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Review of 5 to 7 (2014)

By Andy Crump (279) for Paste Magazine (2,906) on 08 Apr 2015

Watching Levin's movie is the equivalent of reading a collection of pre-workshopped, college-level short stories, each scene or bit of dialogue…

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Review of 5 to 7 (2014)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 08 Apr 2015

The role of Arielle was originally supposed to go to Diane Kruger, whose tough-minded realism would have been interesting here…

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Review of 5 to 7 (2014)

By Nick Allen (397) for Movie Mezzanine (782) on 07 Apr 2015

a bland salute wrapped within a tepid plot that also owes itself to Mike Nichols' The Graduate…

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Review of 5 to 7 (2014)

By Frederic And Mary Ann Brussat (3,072) for Spirituality and Practice (3,072) on 02 Apr 2015

A drama about the joys and challenges of an unconventional affair…

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Review of 5 to 7 (2014)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 02 Apr 2015

Eventually, the fact that the characters are all aware of the multiple clichés they’re uttering — an exchange between Brian and a young…

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Review of 5 to 7 (2014)

By Zach Hollwedel (108) for Under the Radar (636) on 02 Apr 2015

Alluring performances from Yelchin, Marlohe, and the supporting cast ... nimbly carry the film from start to finish…

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Review of 5 to 7 (2014)

By Betsy Sharkey (695) for Los Angeles Times (12,977) on 02 Apr 2015

The banter between Brian and Arielle is easy and often amusing…

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Review of 5 to 7 (2014)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 01 Apr 2015

While the film has an undeniably sexy glow, it’s too earnest and sappy by half…

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Review of 5 to 7 (2014)

By Katherine Pushkar (43) for New York Daily News (5,623) on 01 Apr 2015

There must have been pretty slim pickings at the Neil Simon store by the time 5 to 7 writer-director Victor Levin got there…

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Review of 5 to 7 (2014)

By Mike D'angelo (730) for AV Club (2,778) on 01 Apr 2015

It’s a movie to be mildly enjoyed and then left behind — apropos, given the subject matter…

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Review of 5 to 7 (2014)

By Matt Pais (1,519) for RedEye (906) on 01 Apr 2015

Even if 5 to 7 sometimes feels like a romantic fantasy, it's grounded in compromises-haunting romanticism colliding with the imperfect way…

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Review of 5 to 7 (2014)

By Rex Reed (1,506) for New York Observer (1,400) on 31 Mar 2015

From this less than enchanting excuse for a feature-length movie comes 5 to 7, featuring delicious performances, extremely witty dialogue without…

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Review of 5 to 7 (2014)

By Kyle Smith (1,916) for New York Post (6,650) on 31 Mar 2015

Proving it’s still possible to stick to the broad contours of “The Graduate” story and come up with something brightly endearing, 5 to…

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Review of 5 to 7 (2014)

By Scott Tobias (1,684) for The Dissolve (1,478) on 31 Mar 2015

Accepted as fantasy, 5 To 7 has a bright, literate charm that’s hard to resist, thanks to the scattered witticisms in Levin’s script, a…

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Review of 5 to 7 (2014)

By Jordan Hoffman (1,025) for Guardian (4,584) on 31 Mar 2015

It's the type of thing only [a film] with an accent can get away with…

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Review of 5 to 7 (2014)

By David Ehrlich (1,229) for Time Out (7,510) on 30 Mar 2015

At its best, 5 to 7 is refreshingly sentimental in an age ruled by caustic irony, and the obvious fact that its romance is doomed from the…

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Review of 5 to 7 (2014)

By Mike Mcgranaghan (1,821) for Aisle Seat (1,783) on 30 Mar 2015

5 to 7 is the Before Sunrise of infidelity…

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Review of 5 to 7 (2014)

By Mark Adams (368) for Screen International (2,241) on 29 Mar 2015

A lush cross-cultural romance all set against the dreamy backdrop of Manhattan, writer/director Victor Lewin's rather old-fashioned but generously…

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Review of 5 to 7 (2014)

By Cole Smithey (1,865) for ColeSmithey.com (1,853) on 29 Mar 2015

For all of its artificial plotting and clichéd dialogue, 5 to 7 has its charms…

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