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360 (2012) - Critic Reviews - Page 3 of 4

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Review of 360 (2012)

By Glenn Kenny (1,728) for MSN Movies (470) on 31 Jul 2012

I hope Peter Morgan doesn't give up writing, and I do hope Meirelles gives up trying to be Alejandro González Iñárritu…

Review of 360 (2012)

By Chris Barsanti (896) for Film Journal International (5,095) on 31 Jul 2012

doesn't have much of a theme but for the sparks of intimate connection thrown off by its talented cast every few minutes…

Review of 360 (2012)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 31 Jul 2012

360 has a circular structure that's deftly pleasing, though the human drama is just facile enough to make it seem, in the end, a little too…

Review of 360 (2012)

By Alison Willmore (681) for The A.V. Club (5,644) on 31 Jul 2012

Fittingly for its occasional ring imagery, 360 is hollow in the middle…

Review of 360 (2012)

By R. Kurt Osenlund (158) for Slant Magazine (8,298) on 31 Jul 2012

Directed by Fernando Meirelles from a dusty script by Peter Morgan, 360 is all superficial stimulation, hollow and stiff as it beats the dead…

Review of 360 (2012)

By Nick Pinkerton (448) for Village Voice (8,525) on 30 Jul 2012

There are fleeting moments, but Morgan's narrative promiscuity leaves 360 feeling only spread out and empty…

Review of 360 (2012)

By Keith Uhlich (870) for Time Out (7,510) on 30 Jul 2012

Scene by scene, you want to laugh at all the ham-fisted kismet, even if the committed cast holds your attention…

Review of 360 (2012)

By Matt Mueller (72) for Total Film (3,532) on 30 Jul 2012

Banal, blundering and at times downright ludicrous, 360 is a full-circle misfire that Meirelles' lively images can't salvage…

Review of 360 (2012)

By James Berardinelli (4,524) for ReelViews (4,523) on 29 Jul 2012

It is disappointing (and a little boring). The chief problem relates to structure. The film unspools more like a puzzle than a cohesive narrative…

Review of 360 (2012)

By Betty Jo Tucker (725) for ReelTalk Movie Reviews (1,771) on 27 Jul 2012

Some fine performances here, but the film seems too jumbled and pointless…

Review of 360 (2012)

By Harvey S. Karten (2,210) for Compuserve (1,948) on 26 Jul 2012

A sexual roundalay showing that what goes around, comes around. Indeed…

Review of 360 (2012)

By Peter Debruge (1,557) for Variety (12,700) on 19 Jul 2012

With a multilingual cast of mostly unfamiliar faces, plus a few stars, 360 feels too abstract, orchestrating break-ups and hook-ups in a passionless…

Review of 360 (2012)

By Brian Orndorf (4,059) for BrianOrndorf.com (1,055) on 18 Jul 2012

Meirelles keeps the film humming along, braiding these strangers into a single display of yearning, albeit a craving that takes the occasional…

Review of 360 (2012)

By Kirk Honeycutt (1,481) for Hollywood Reporter (2,966) on 21 May 2012

La Ronde 2011-style is simply a game and its makers expert gamesmen. The film is never less than intriguing. But the artifice shows all too clearly…

Review of 360 (2012)

By Film4 Staff (125) for Film4 (1,522) on 18 Oct 2011

Some famous faces and decent performances are not enough to keep the boring, tired premise afloat…

Review of 360 (2012)

By Geoffrey Macnab (1,253) for Independent (UK) (2,026) on 13 Oct 2011

This is the filmic equivalent of a relay race. Some legs work very well but, during others, Meirelles and his team risk dropping the baton altogether…

Review of 360 (2012)

By Christopher Tookey (761) for Daily Mail (UK) (1,461) on 12 Oct 2011

It's too well acted to be a turkey, but it completely lacks the vibrancy or excitement of City Of God or the craftsmanship that has distinguished…

Review of 360 (2012)

By Robbie Collin (1,612) for Daily Telegraph (UK) (2,495) on 11 Oct 2011

What's left is a sequence of downbeat sex skits, slotted together with all the finesse of an Ikea cabinet…

Review of 360 (2012)

By Shaun Munro (472) for What Culture (594) on 11 Oct 2011

There are some compelling performances here - especially Foster and Hopkins - but they are held at the mercy of tiresome armchair philosophy…

Review of 360 (2012)

By Ed Whitfield (493) for The Ooh Tray (482) on 11 Oct 2011

There's the sense that the filmmakers are more interested in the formal connections between the characters than the characters themselves…

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