Review of 32 Sounds (2023) by Lindsay Zoladz for The New York Times — 29 Mar 2022
While there’s certainly a specific charm to seeing 32 Sounds live (particularly during a five-minute interactive dance break, when Green invites audience members to walk up to the stage and feel the quaking power of a pair of subwoofers as Samson acts as D.
J.), the filmed narrative is engaging and richly visual enough that 32 Sounds would still achieve many of its most spectacular effects at home, preferably through a pair of good headphones.
You can read the full review where it was originally posted online.
This review of 32 Sounds (2023) was written by Lindsay Zoladz and published by The New York Times on 29 Mar 2022.
32 Sounds has generally received very positive reviews.
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