Review of 20,000 Days on Earth (2014) by H. Paul M — 25 Sep 2014
I'm finding it bizarre, with the release of this film, that it's a foregone conclusion, if you like Nick Cave, you'll love this documentary. I understand the universal drooling from critics, even here, tracing to their endless pursuit of what's-hot-and-what's-not, but there are plenty others who actually listen to Nick Cave's music intensely and often, finding this documentary weirdly conventional, over-produced, sterile, and violative of any biographical trace of punk from the balladeer's past.
From the ten-point lighting kit at the mock psychotherapy session, to the jib floating the camera around those armchairs, to the awkward conversations that were conceptually improvised but fundamentally staged, this film is the equivalent of a corporate video for an annual shareholder's meeting, or a broadcast network reality television show egging for market share.
Will someone else speak up too, please? Nick Cave is one of the great multi-disciplinary artists of our time, and his extraordinary talents are scurrying around the festival circuit for this film at the expense of what he could be creating quietly at home: a new album, a new screenplay, a new film score, a new novel.
This review of 20,000 Days on Earth (2014) was written by H. Paul M on 25 Sep 2014.
20,000 Days on Earth has generally received positive reviews.
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