Review of 1917 (2019) by Richard Brody for The New Yorker — 22 Jan 2020
The so-called long take serves as a mask—a gross bit of earnest showmanship that both conceals and reflects the trickery and the cheap machinations of the script, the shallowness of the direction of the actors, and the brazenly superficial and emotion-dictating music score.
You can read the full review where it was originally posted online.
This review of 1917 (2019) was written by Richard Brody and published by The New Yorker on 22 Jan 2020.
1917 has generally received very positive reviews.
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