Review of Traffik (2018) by Sean D — 24 Jul 2018

Great movie ..raises awareness to what's going on in the world..like human trafficking.

This review of Traffik (2018) was written by Sean D on 24 Jul 2018.

Traffik has generally received mixed reviews.

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More Reviews of Traffik

Review of Traffik (2018)

By Troy P (31) on 30 Dec 2018

I don't know what these other people are talking about. This is a good movie. Definitely worth your time seeing…

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Review of Traffik (2018)

By Bizzylorenzo70 (41) on 18 Jul 2018

Maintains some tension, but it's just a mediocre film, unfortunately…

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Review of Traffik (2018)

By Hope Madden (89) for Columbus Underground (89) on 26 Aug 2018

Take Paula Patton (and Taylor's leering filming of her) out of the movie and it's not a bad little piece of throwback exploitation…

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Review of Traffik (2018)

By M C (510) on 20 Jul 2018

Worst predictable movie. I'm sorry but Paula Pattin's Character was annoying as hell…

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Review of Traffik (2018)

By Kris C (1) on 18 May 2018

About bad guys sex trafficking women. I didn't care for it much. Thot aI would be seeing a drug cartel border thriller…

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Review of Traffik (2018)

By Frank Ochieng (928) for The Critical Movie Critics (78) on 07 Nov 2018

The biggest failure of Traffik is how clumsily it tackles the subject of human trafficking and sexual slavery…

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Review of Traffik (2018)

By Mick S (42) on 17 Jul 2018

Paula Patton and Omar Epps are a couple headed for a getaway in the Northern Californian mountains, where Epps hopes to ask Patton's hand in…

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Review of Traffik (2018)

By David Nusair (3,363) for Reel Film Reviews (3,339) on 08 May 2018

There's little doubt that Traffik gets off to a decidedly (and palpably) underwhelming start…

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Review of Traffik (2018)

By Andrew Pollard (100) for Starburst (899) on 20 Jun 2018

Grabs you and refuses to let you go through this intense, gruelling, and powerful tale... Paula Patton is absolutely phenomenal…

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Review of Traffik (2018)

By Oktay Ege Kozak (122) for Paste Magazine (2,906) on 02 May 2018

There doesn’t seem to be any insidious motivation behind writer/director Deon Taylor’s vision for his film, no purposeful undermining of…

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