Review of Toni Erdmann (2016) by Richard Brody for New Yorker — 27 Dec 2016
There isn't a question in any of the filming; Ade's sense of representation is one of confident approximations. In sticking to a familiarly unquestioned sense of cinematic reality, she empties it of psychological reality; it's a movie with no inner life.
You can read the full review where it was originally posted online.
This review of Toni Erdmann (2016) was written by Richard Brody and published by New Yorker on 27 Dec 2016.
Toni Erdmann has generally received very positive reviews.
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