Review of The Tracker (2002) by Stephen Holden for New York Times — 15 Jan 2004
These stylized images by the Australian artist Peter Coad create an aesthetic distance from the cruelty, lending the atrocities the stature of events in a historical mural that freezes the past into an eternal present.
You can read the full review where it was originally posted online.
This review of The Tracker (2002) was written by Stephen Holden and published by New York Times on 15 Jan 2004.
The Tracker has generally received positive reviews.
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