Review of The Souvenir (2019) by Sara Stewart for New York Post — 14 May 2019
Hogg (“Exhibition”) sets The Souvenir in the 1980s but shoots her subjects with the long-armed reserve of a period piece; the ivory-complexioned Byrne bears a resemblance to 18th- and 19th-century European portraits glimpsed throughout.
You can read the full review where it was originally posted online.
This review of The Souvenir (2019) was written by Sara Stewart and published by New York Post on 14 May 2019.
The Souvenir has generally received positive reviews.
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