Review of The Midwife (2017) by Glenn Kenny for The New York Times — 19 Jul 2017
Because it is a French film, or rather the kind of French film that wants to serve its sentimentality with a dollop of prestige, The Midwife doesn’t offer an entirely shameless version of the “dying free spirit imbues uptight caretaker with a new lust for life” scenario.
You can read the full review where it was originally posted online.
This review of The Midwife (2017) was written by Glenn Kenny and published by The New York Times on 19 Jul 2017.
The Midwife has generally received positive reviews.
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