Review of Creative Control (2016) by Sherilyn Connelly for SF Weekly — 18 Mar 2016
Creative Control is shot in glorious black-and-white, which always makes New York look better and also complements the vector-graphic aesthetic of the glasses nicely. But the film's most important innovation is the use of Reggie Watts.
You can read the full review where it was originally posted online.
This review of Creative Control (2016) was written by Sherilyn Connelly and published by SF Weekly on 18 Mar 2016.
Creative Control has generally received mixed reviews.
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