Review of The B-Side: Elsa Dorfman's Portrait Photography (2017) by Marjorie Baumgarten for Austin Chronicle — 19 Jul 2017
The B-Side is not one of Errol Morris’ finely focused film essays; instead, you may feel a desire to “shake it like a Polaroid picture” in an effort to encourage its development.
You can read the full review where it was originally posted online.
This review of The B-Side: Elsa Dorfman's Portrait Photography (2017) was written by Marjorie Baumgarten and published by Austin Chronicle on 19 Jul 2017.
The B-Side: Elsa Dorfman's Portrait Photography has generally received positive reviews.
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