Review of Porto (2017) by Matt Zoller Seitz for RogerEbert.com — 17 Nov 2017
The film’s clever editing (credited to Klinger and Geraldine Mangenot) jumps back and forth through time in intriguing, sometimes intoxicating ways, and even when the drama flags there’s always a stunning image to stare at.
You can read the full review where it was originally posted online.
This review of Porto (2017) was written by Matt Zoller Seitz and published by RogerEbert.com on 17 Nov 2017.
Porto has generally received mixed reviews.
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