Review of Piccadilly (1929) by Jonathan Rosenbaum for Chicago Reader — 02 Feb 2011
Dupont has an original way of employing camera movement to suggest erotic chemistry between characters, and Wong, who even provoked a rave notice from Walter Benjamin, is as memorable and confident as Louise Brooks was in the films of G.W. Pabst.
You can read the full review where it was originally posted online.
This review of Piccadilly (1929) was written by Jonathan Rosenbaum and published by Chicago Reader on 02 Feb 2011.
Piccadilly has generally received positive reviews.
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