Review of Late Night (2019) by Allison Shoemaker for Consequence of Sound — 13 Jun 2019
It’s winning enough that you can spot its flaws and still don’t really care. Much of that is due to Kaling’s script, and particularly her writing for Thompson, who gets a role worthy of her dramatic talents, and her oft-underused expert timing.
You can read the full review where it was originally posted online.
This review of Late Night (2019) was written by Allison Shoemaker and published by Consequence of Sound on 13 Jun 2019.
Late Night has generally received positive reviews.
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