Review of Doctor X (1932) by Michael H — 10 Nov 2014

In an attempt to differentiate the new property from the horror films of other studios, the producers of the film made the decision to produce their creep-fest in the relatively new two-color Technicolor system and persuaded Natalie Kalmus, the color director at Technicolor, to work with them on developing a color scheme that would enhance the mysterious atmosphere they wished to create for the film. The entire look of the film is unforgettably odd.

Doctor X is not the most frightening or memorable horror film to come out of the 1930s, but it is inventive in its early and idiosyncratic use of color and in its remarkable set design. A sequel was made a few years later starring a very uncomfortable-looking Humphrey Bogart, but it is now best forgotten.