Review of Anonymous (2011) by David Denby for New Yorker — 23 Oct 2011
The Oxford theory is ridiculous, yet the filmmakers go all the way with it, producing endless scenes of indecipherable court intrigue in dark, smoky rooms, and a fashion show of ruffs, farthingales, and halberds.
The more far-fetched the idea, it seems, the more strenuous the effort to pass it off as authentic.
You can read the full review where it was originally posted online.
This review of Anonymous (2011) was written by David Denby and published by New Yorker on 23 Oct 2011.
Anonymous has generally received mixed reviews.
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