Review of Anon (2018) by Leah Greenblatt for Entertainment Weekly — 03 May 2018
The story works well enough in its own moodily familiar way, but it’s not only the movie’s palette that’s stylishly leached of color: Its main characters’ backstories feel perfunctory, the dialogue leans heavy on exposition and hard-boiled cliché, and even Owen looks worn down.
You can read the full review where it was originally posted online.
This review of Anon (2018) was written by Leah Greenblatt and published by Entertainment Weekly on 03 May 2018.
Anon has generally received mixed reviews.
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