Review of The High Note (2020) by Peter Bradshaw for The Guardian — 29 May 2020
There are some comedies that seem to have been rubbed all over with an anti-funny, anti-romance Kryptonite. This is one. It’s the cinematic equivalent of elevator muzak – a festival of glam-smug with zero chemistry between any of its three leads.
You can read the full review where it was originally posted online.
This review of The High Note (2020) was written by Peter Bradshaw and published by The Guardian on 29 May 2020.
The High Note has generally received positive reviews.
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