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Last updated: 10 Jun 2026 at 14:29 UTC

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Review of by Richard Brody for New Yorker — 23 Jul 2017

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Weber films this pain-seared drama with a meticulous eye for the telling detail-worn-out shoes, torn carpet, tatty furniture-and for the nuances of social observation and concealments on which pride and shame depend.

You can read the full review where it was originally posted online.

This review of The Blot (1921) was written by and published by New Yorker on 23 Jul 2017.

The Blot has generally received mixed reviews.

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