Review of Porto (2017) by Robert Abele for Los Angeles Times — 22 Nov 2017
The best thing about Klinger’s time/memory/dream aesthetic is how it looks: the visual equivalent of an audiophile’s nostalgia for vinyl. But the time jumping feels precious, and the screenplay — written by Klinger and Larry Gross — falls too easily into clichés.
You can read the full review where it was originally posted online.
This review of Porto (2017) was written by Robert Abele and published by Los Angeles Times on 22 Nov 2017.
Porto has generally received mixed reviews.
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