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Last updated: 27 Jun 2026 at 01:55 UTC

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Review of by Anthony Lane for The New Yorker — 26 Aug 2018

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What lingers, when this movie is done, are not the regular rallies, during which we survey the whole court, but those moments when we focus on McEnroe alone — on the dancing shuffle of his feet as he bobs and races for a return.

Swap the sneakers for tap shoes and the dusty clay for a mirrored floor, and we could be watching Fred without Ginger, lost in the delirium of his art.

You can read the full review where it was originally posted online.

This review of John McEnroe: In the Realm of Perfection (2018) was written by and published by The New Yorker on 26 Aug 2018.

John McEnroe: In the Realm of Perfection has generally received positive reviews.

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