Review of Ararat (2002) by Kevin Thomas for Los Angeles Times — 04 Apr 2014
Egoyan's oblique, layered attack ultimately pays off, evoking a strong emotional connection between past and present, the historical and the personal, in a flowing, cinematic manner in collaboration with his frequent cameraman, Paul Sarossy.
The film makes use of an intoxicating array of Armenian music.
You can read the full review where it was originally posted online.
This review of Ararat (2002) was written by Kevin Thomas and published by Los Angeles Times on 04 Apr 2014.
Ararat has generally received positive reviews.
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