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Wendy Ide

Last updated: 26 Jun 2026 at 11:14 UTC

Movie Reviews by Wendy Ide - Page 6 of 75

101-120 of 1,500 Reviews

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Review of SMILE (2022)

By Wendy Ide (1,500) for The Observer (UK) (826) on 02 Oct 2022

The combination of a committed central performance from the increasingly gaunt and haunted Bacon, and a jarring, tortured score, makes for…

Review of Smile (2022)

By Wendy Ide (1,500) for The Observer (UK) (826) on 02 Oct 2022

The combination of a committed central performance from the increasingly gaunt and haunted Bacon, and a jarring, tortured score, makes for…

Review of Smile (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 02 Oct 2022

The combination of a committed central performance from the increasingly gaunt and haunted Bacon, and a jarring, tortured score, makes for…

Review of Please Baby Please (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 30 Sep 2022

Any film which features Demi Moore breathily vamping her way through an appreciation for her dishwasher and which permits Andrea Riseborough…

Review of The Girl with a Bracelet (2020)

By Wendy Ide (1,500) for The Observer (UK) (826) on 28 Sep 2022

Demoustier dangles doubts, but also raises questions about the difference between judgment and justice…

Review of After Yang (2022)

By Wendy Ide (1,500) for The Observer (UK) (826) on 26 Sep 2022

I’m not convinced that the picture carries quite the philosophical weight that it thinks it does…

Review of Don't Worry Darling (2022)

By Wendy Ide (1,500) for The Observer (UK) (826) on 26 Sep 2022

The problem is that Wilde leans too heavily on surface and style, as a distraction from the fact that the story itself is riddled with inconsistencies…

Review of Catherine Called Birdy (2022)

By Wendy Ide (1,500) for The Observer (UK) (826) on 26 Sep 2022

Whis is a teen comedy with a refreshingly forthright approach to everything from puberty to the status of 13th-century women as chattels to…

Review of What's Love Got to Do with It? (2023)

By Wendy Ide (1,500) for Screen Daily (1,021) on 18 Sep 2022

The sparky chemistry between James and Latif leaves few surprises in how it all pans out, but it’s an unexpectedly, disarmingly sweet film…

Review of The Good Nurse (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 14 Sep 2022

The film’s elegant framing and unobtrusive directorial choices give space for Chastain and Redmayne to fully inhabit their characters in…

Review of The Menu (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 13 Sep 2022

Subtle it’s not, but it’s maliciously entertaining. It turns out that revenge on the ultra-wealthy is a dish best seared over a naked flame…

Review of Glass Onion: A Knives Out Mystery (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 10 Sep 2022

While it’s not quite as light on its feet in terms of the plotting, and while several key incidents and character motivations are rather…

Review of All the Beauty and the Bloodshed (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 10 Sep 2022

What becomes clear from the film, which vividly details the cultural backdrop as well as Goldin’s work, is that fear has never been part…

Review of Return to Seoul (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 08 Sep 2022

Like its central character, this film is unconventional, and at times abrasive, but it has a seductive, searching quality and a swell of melancholy…

Review of A Couple (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 04 Sep 2022

Performance aside, the key issue is that endless griping about a shitty marriage – even the marriage of arguably the pre-eminent figure of…

Review of The Whale (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 04 Sep 2022

The film sets out to repulse us, and it frequently succeeds. It would be easy, and tempting, to dismiss it out of hand…

Review of Wildhood (2022)

By Wendy Ide (1,500) for The Observer (UK) (826) on 04 Sep 2022

It’s striking, certainly, but teasingly elusive when it comes to story resolution…

Review of Three Thousand Years of Longing (2022)

By Wendy Ide (1,500) for The Observer (UK) (826) on 03 Sep 2022

There’s something rather sterile and bloodless in the film’s approach, with its synthetic and soul-sappingly clean-looking CGI…

Review of Ava (2018)

By Wendy Ide (1,500) for The Observer (UK) (826) on 01 Sep 2022

The 0-60 acceleration of disaster and melodrama is a little disconcerting, as is the tendency to self-sabotage demonstrated by Ava and her…

Review of Explorer (2022)

By Wendy Ide (1,500) for The Observer (UK) (826) on 31 Aug 2022

The approach of director Matthew Dyas, who gives the archive material the appearance of found footage, adds to the mythic romance of Fiennes’s…

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Wendy Ide has written reviews for:

Time Out (7,510)
Guardian (4,584)
TheWrap (3,203)
Times (UK) (2,458)
Radio Times (2,421)
Observer (UK) (2,398)
Screen International (2,241)
Screen Daily (1,021)
Sight and Sound (827)
The Observer (UK) (826)

Wendy Ide is connected to:

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