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Last updated: 04 Jun 2026 at 07:33 UTC

Movie Reviews by Tricia Olszewski - Page 2 of 23

21-40 of 442 Reviews

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Review of The King (2018)

By Tricia Olszewski (442) for Washington City Paper (500) on 11 Jul 2018

No matter how hard he tries to connect the dots, however, the analogy remains as stretched as Elvis' late-career stage clothes…

Review of The King (2017)

By Tricia Olszewski (442) for Washington City Paper (500) on 11 Jul 2018

No matter how hard he tries to connect the dots, however, the analogy remains as stretched as Elvis' late-career stage clothes…

Review of Eating Animals (2018)

By Tricia Olszewski (442) for Washington City Paper (500) on 21 Jun 2018

The effect is that you don't always know what the finer points of the documentary are beyond eating animals = bad…

Review of Hearts Beat Loud (2018)

By Tricia Olszewski (442) for Washington City Paper (500) on 14 Jun 2018

The film may never feel weighty, but that doesn't mean it doesn't sing…

Review of Beast (2018)

By Tricia Olszewski (442) for Washington City Paper (500) on 16 May 2018

The film's more impressive achievement is a third act that feels like a natural progression as well as a twist that isn't a complete cheat…

Review of Ghost Stories (2018)

By Tricia Olszewski (442) for Washington City Paper (500) on 26 Apr 2018

Ghost Stories scores a solid OK in terms of both its originality and its scares…

Review of Unsane (2018)

By Tricia Olszewski (442) for Washington City Paper (500) on 22 Mar 2018

Even at a mere 97 minutes, Unsane feels long, though it's never less than compelling thanks to Foy…

Review of Foxtrot (2017)

By Tricia Olszewski (442) for Washington City Paper (500) on 16 Mar 2018

Foxtrot resembles a dream, and one that carries you along with it…

Review of Submission (2018)

By Tricia Olszewski (442) for Washington City Paper (500) on 09 Mar 2018

Throughout, this charge, Angela's lie, and Ted's complicitness are treated as little more than a student contesting her grades…

Review of Submission (2019)

By Tricia Olszewski (442) for Washington City Paper (500) on 09 Mar 2018

Throughout, this charge, Angela's lie, and Ted's complicitness are treated as little more than a student contesting her grades…

Review of The Party (2017)

By Tricia Olszewski (442) for Washington City Paper (500) on 22 Feb 2018

Feeling like it was ripped off the stage, the film features performances that range from natural to ludicrous and developments that, save for…

Review of Happy End (2017)

By Tricia Olszewski (442) for Washington City Paper (500) on 08 Feb 2018

Anyone familiar with Haneke will know that Happy End is an ironic title. But even by the film's unhappy end, that may be all you know for sure…

Review of American Folk (2018)

By Tricia Olszewski (442) for Washington City Paper (500) on 26 Jan 2018

American Folk-and the actors themselves-come alive when the music's playing, particularly if you're a fan of Pete Seeger-era Americana…

Review of Downsizing (2017)

By Tricia Olszewski (442) for Washington City Paper (500) on 21 Dec 2017

The film's characters may be the ones who are literally downsized, but it's the script that seems to have gotten a pink slip…

Review of The Shape of Water (2017)

By Tricia Olszewski (442) for Washington City Paper (500) on 08 Dec 2017

The cast is wonderful-Jenkins is warm and lovable, Spencer is funny, and Shannon, as always, plays the perfect snake…

Review of The Breadwinner (2017)

By Tricia Olszewski (442) for Washington City Paper (500) on 22 Nov 2017

Like so many great children's movies, The Breadwinner, a rich and rewarding animated film set in Taliban-controlled Kabul, starts with the…

Review of Three Billboards Outside Ebbing, Missouri (2017)

By Tricia Olszewski (442) for Washington City Paper (500) on 16 Nov 2017

The film expertly gives the main characters their moments without detracting from the main story, and does so with dialogue that's Hell or…

Review of Thor: Ragnarok (2017)

By Tricia Olszewski (442) for Washington City Paper (500) on 02 Nov 2017

Of course, you know how this ends, but the script, the cinematography, and the performances make this billionth Marvel entry seem fresh…

Review of Suburbicon (2017)

By Tricia Olszewski (442) for Washington City Paper (500) on 25 Oct 2017

In the end, though, you're left wondering what Clooney et al. wanted the film to be…

Review of Crash Pad (2017)

By Tricia Olszewski (442) for TheWrap (3,203) on 25 Oct 2017

You’ll be surprised to discover that it’s actually smartly written and expertly pulled off…

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