Movie Reviews by Travis Hopson - Page 7 of 47

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Review of The Boy Downstairs (2018)

By Travis Hopson (923) for Punch Drunk Critics (518) on 26 Feb 2018

The combination of Brooks' sharp writing and ear for dialogue with Mamet's neurotic charms is why The Boy Downstairs is such a surprising treat…

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Review of Mute (2016)

By Travis Hopson (923) for Punch Drunk Critics (518) on 23 Feb 2018

If anything, Mute serves as a reminder that some dream projects should remain on the shelf…

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Review of Mute (2016)

By Travis Hopson (923) for Punch Drunk Critics (518) on 23 Feb 2018

If anything, Mute serves as a reminder that some dream projects should remain on the shelf…

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Review of Mute (2018)

By Travis Hopson (923) for Punch Drunk Critics (518) on 23 Feb 2018

If anything, Mute serves as a reminder that some dream projects should remain on the shelf…

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Review of Annihilation (2018)

By Travis Hopson (923) for Punch Drunk Critics (518) on 22 Feb 2018

Gorgeous, unnerving, and utterly brilliant, Annihilation will scare the crap out of you just as much as it will make you think…

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Review of Game Night (2018)

By Travis Hopson (923) for Punch Drunk Critics (518) on 22 Feb 2018

Game Night has the charm and definitely the players to be a real winner for those willing to roll the dice…

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Review of Red Sparrow (2018)

By Travis Hopson (923) for Punch Drunk Critics (518) on 20 Feb 2018

Lawrence gives a performance that is sexy and as complex as she can make it, but we leave thinking there was more about Dominika that could…

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Review of Black Panther (2018)

By Travis Hopson (923) for Punch Drunk Critics (518) on 14 Feb 2018

Black Panther proves that you can make a movie that is significant to the black audience, and just a damn good superhero movie that everyone…

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Review of Golden Exits (2018)

By Travis Hopson (923) for Punch Drunk Critics (518) on 10 Feb 2018

Golden Exits is 90-minutes but it feels like three torturous hours…

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Review of Fifty Shades Freed (2018)

By Travis Hopson (923) for Punch Drunk Critics (518) on 08 Feb 2018

While still wildly improbable and unintentionally funny more often than not, this third chapter finally gives Ana a voice in this relationship…

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Review of Permission (2018)

By Travis Hopson (923) for Punch Drunk Critics (518) on 05 Feb 2018

Permission succeeds in the small, heartfelt moments shared between Will and Anna, but their dating escapes are never quite as engaging…

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Review of A Fantastic Woman (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 01 Feb 2018

Sebstian Lelio's mesmerizing, humanistic, spot-on A Fantastic Woman, which heralds the arrival of trans actress Daniela Vega to the big stage…

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Review of Leave No Trace (2018)

By Travis Hopson (923) for Punch Drunk Critics (518) on 26 Jan 2018

While certain aspects ofLeave No Traceremain inscrutable, what's undeniable is the hopefulness Granik finds in those who live off the grid…

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Review of Maze Runner: The Death Cure (2018)

By Travis Hopson (923) for Punch Drunk Critics (518) on 26 Jan 2018

The Death Cure continually moves at a brisk space and has an impressive sense of scale, two things the first movie excelled at…

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Review of Ophelia (2019)

By Travis Hopson (923) for Punch Drunk Critics (518) on 26 Jan 2018

Opheliais both hopelessly beholden to Shakespeare and yet unwilling to completely break free from it…

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Review of Kickboxer: Retaliation (2018)

By Travis Hopson (923) for Punch Drunk Critics (518) on 26 Jan 2018

The bar has been raised forKickboxer: Retaliation, this time directed by the previous film's writer/producer, Dimitri Logothetis, and it shatters…

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Review of Damsel (2018)

By Travis Hopson (923) for Punch Drunk Critics (518) on 24 Jan 2018

It's not a comedy classic like Mel Brooks' film, and certainly its examination of the pityless Old West frontier are much darker…

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Review of Bodied (2018)

By Travis Hopson (923) for Punch Drunk Critics (518) on 23 Jan 2018

The battle raps are the constant highlight, with Kahn's energetic camera whirling around the battlefield, weaving in and out of the hyped onlookers…

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Review of Beirut (2018)

By Travis Hopson (923) for Punch Drunk Critics (518) on 23 Jan 2018

Beirut could be the start of a comeback for this old school genre, one that Gilroy himself helped usher into oblivion with his Jason Bourne…

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Review of Private Life (2018)

By Travis Hopson (923) for Punch Drunk Critics (518) on 23 Jan 2018

While the ups and downs of the fertilization procedures is repetitive, the fully-formed characters portrayed by Giamatti and Hahn are the kind…

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Page 7 of 47

Travis Hopson has written reviews for:

Examiner.com (1,617)
Punch Drunk Critics (518)

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