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Last updated: 05 Nov 2026 at 16:28 UTC

Movie Reviews by Tomris Laffly - Page 3 of 23

41-60 of 460 Reviews

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Review of Athena (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 23 Sep 2022

While some of these struggles are specific to the French communities the film follows, they are also universal, with recent echoes deeply familiar…

Review of On the Come Up (2022)

By Tomris Laffly (460) for The A.V. Club (5,644) on 22 Sep 2022

A committed group of dazzling actors keeps viewers consistently engaged until On The Come Up arrives at its predictable life lessons…

Review of Raymond & Ray (2022)

By Tomris Laffly (460) for Variety (12,700) on 17 Sep 2022

Raymond & Ray is curiously alienating despite the two A-listers in the driver seat, some decent chuckles to spare and a handsome, cinematic…

Review of The Good Nurse (2022)

By Tomris Laffly (460) for Variety (12,700) on 14 Sep 2022

What lingers most about it is a sense of selfless compassion, the kind that Amy possesses when she painfully reminds herself of the good buried…

Review of The Fabelmans (2022)

By Tomris Laffly (460) for The Playlist (3,871) on 11 Sep 2022

It’s Spielberg’s most personal film, one that gorgeously revives the memories of his childhood and youth with a lavish sense of wistfulness…

Review of The Eternal Daughter (2022)

By Tomris Laffly (460) for The Playlist (3,871) on 06 Sep 2022

While The Eternal Daughter manages to sell a truly spine-tingling atmosphere of ghosts, it feels closer to a thought and style experiment in…

Review of Don't Worry Darling (2022)

By Tomris Laffly (460) for The A.V. Club (5,644) on 05 Sep 2022

Perhaps the chief deficit of Don’t Worry Darling isn’t even predictability, but a discernible lack of new ideas of its own…

Review of Empire of Light (2022)

By Tomris Laffly (460) for TheWrap (3,203) on 04 Sep 2022

Empire of Light feels more like a sweet experiment on nostalgia and memory than an articulate film with something to say…

Review of Lady Chatterley's Lover (2022)

By Tomris Laffly (460) for TheWrap (3,203) on 04 Sep 2022

Often draped over each other like a pair of gorgeous statues, O’Donnell and Corrin strike palpable chemistry throughout, selling both their…

Review of Women Talking (2022)

By Tomris Laffly (460) for TheWrap (3,203) on 03 Sep 2022

Polley strikes a hypnotizing rhythm amongst the women, who attack despair with cheeky humor (Women Talking is unexpectedly funny in parts)…

Review of Me Time (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 26 Aug 2022

Me Time has some structural problems that drag the story, taking too long to reintroduce Huck in the second act, and littering the overall…

Review of Me Time (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 26 Aug 2022

Me Time has some structural problems that drag the story, taking too long to reintroduce Huck in the second act, and littering the overall…

Review of Breaking (2022)

By Tomris Laffly (460) for The A.V. Club (5,644) on 24 Aug 2022

Breaking is a noble and deeply sensitive effort that aims to commemorate an honorable veteran who was failed by the dysfunctional and racist…

Review of Secret Headquarters (2022)

By Tomris Laffly (460) for The A.V. Club (5,644) on 10 Aug 2022

Between all the cool gadgets—a vintage VW van serving as The Guard’s G-Mobile being the best of them—a devoted cast and a well-meaning…

Review of Bodies Bodies Bodies (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 05 Aug 2022

It’s quite a ride even when the tempo drops ever so slightly towards the end; the kind of stuff fun summer entertainment should be made of…

Review of Sharp Stick (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 29 Jul 2022

Dunham unearths a refreshing amount of humor, honesty, and sincerity through Sarah Jo’s misadventures with Josh between bedsheets, at once…

Review of Honor Society (2022)

By Tomris Laffly (460) for Variety (12,700) on 29 Jul 2022

This stylishly bouncy teenage romp mostly reaps the rewards of its fearless gambles, not least its willingness to treat teenagers as in-progress…

Review of Not Okay (2022)

By Tomris Laffly (460) for The A.V. Club (5,644) on 25 Jul 2022

This deceptively frothy yet incisive little film asserts that even if the punishment doesn’t fit the crime, redemption can’t be claimed…

Review of Anything's Possible (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 22 Jul 2022

Porter’s delightful debut is perhaps most groundbreaking exactly because of this familiarity, one that grants a black, high-school-aged trans…

Review of Mrs. Harris Goes to Paris (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 15 Jul 2022

The world isn’t the happiest place to be these days, so why not cheer a little bit for a wholesome, decent character in a lovely dress…

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