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Last updated: 27 Jul 2026 at 01:05 UTC

Movie Reviews by Todd Mccarthy - Page 5 of 91

81-100 of 1,810 Reviews

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Review of The Last Black Man in San Francisco (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 01 Feb 2019

All the dramatic components have not only been well thought out by Talbot and co-writer Rob Richert, but they’re adorned, for the most part,…

Review of Extremely Wicked, Shockingly Evil and Vile (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 01 Feb 2019

It’s quite a story, which Berlinger moves along with unrelenting energy…

Review of Miss Bala (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 31 Jan 2019

Gareth Dunnet Alcocer's script has a tidy, programmed feel that results in a feel-good version of a grim and sordid modern yarn…

Review of Brittany Runs a Marathon (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 30 Jan 2019

Colaizzo’s dialogue often crackles with modern idioms and good pithy comments, flowing from the distinct characters in easy fashion…

Review of Velvet Buzzsaw (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 28 Jan 2019

There’s enough fun, writerly glee and actors enjoying their little rampages to make Velvet Buzzsaw a decent distraction for a couple of hours,…

Review of High Flying Bird (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 28 Jan 2019

Soderbergh and McCraney have entertainingly stirred the pot and put a perspective on the screen that will stir some reactions in the real world…

Review of Serenity (2019)

By Todd Mccarthy (1,810) for Hollywood Reporter (2,966) on 24 Jan 2019

Like a long fishing day without a bite, Serenity invites impatience rather than excited anticipation, and the eventual payoff provokes a big…

Review of All Is True (2018)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 21 Dec 2018

A labor of love, to be sure, but a simple, small-scaled domestic drama with none of the broad appeal of the hugely popular Shakespeare in Love…

Review of Vice (2018)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 17 Dec 2018

Through wit, surprise and an irrepressible ballsiness comes a scorching humor that neither curdles nor becomes exhausted…

Review of Vice (2018)

By Todd Mccarthy (1,810) for Hollywood Reporter (2,966) on 17 Dec 2018

Through wit, surprise and an irrepressible ballsiness comes a scorching humor that neither curdles nor becomes exhausted…

Review of The Mule (2018)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 12 Dec 2018

Less cranky and inciting than Gran Torino but persuasively expressive in conveying an old man's regrets along with his desire to improve himself…

Review of Aquaman (2018)

By Todd Mccarthy (1,810) for Hollywood Reporter (2,966) on 11 Dec 2018

One is grateful to have Momoa for company…

Review of Mortal Engines (2018)

By Todd Mccarthy (1,810) for Hollywood Reporter (2,966) on 05 Dec 2018

In short, it's a long-arc revenge tale fitted out with very elaborate effects, courtesy of Peter Jackson's Wingnut Films, and characters that…

Review of Spider-Man: Into the Spider-Verse (2018)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 28 Nov 2018

The freshest and most stimulating aspect of the film is the visual style, which unites the expected Marvel mix of “universes” (it used…

Review of Strange Days (1995)

By Todd Mccarthy (1,810) for Variety (12,700) on 25 Nov 2018

A technical tour de force for director Kathryn Bigelow and her team, pic is less accomplished in putting over its characters, emotions and…

Review of Robin Hood (2018)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 20 Nov 2018

Mendelsohn's villain is boringly one-note, Eve Hewson's Marion uses an incongruous Yank accent and always looks as though she's just stepped…

Review of Creed II (2018)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 16 Nov 2018

Slack and unexciting compared to Ryan Coogler's blisteringly good 2015 reconception of a 1970s icon for modern audiences, this follow-up is…

Review of Mary Queen of Scots (2018)

By Todd Mccarthy (1,810) for Hollywood Reporter (2,966) on 16 Nov 2018

Director Rourke exhibits confidence and enthusiasm in dealing with such juicy material in the company of her two outstanding young actresses…

Review of Bird Box (2018)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 13 Nov 2018

This is a wannabe shocker with a clever premise that doesn't really get down and dirty or betray the base instincts of a born horror filmmaker…

Review of On the Basis of Sex (2018)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 09 Nov 2018

The dramatic approach here is clear, efficient and entirely on-the-nose, with little time for anything that might distract from the hagiographic…

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