Movie Reviews by Tina Hassannia - Page 6 of 6

101-118 of 118 Reviews

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Review of Network (1976)

By Tina Hassannia (118) for Movie Mezzanine (782) on 04 Feb 2014

Network taps into the hysteria of the television business at a time when the medium was still important, a monolithic and competitive media…

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Review of The Thin Blue Line (1988)

By Tina Hassannia (118) for House Next Door (153) on 11 Dec 2013

The Thin Blue Line is proof that sometimes, though rarely, the political impact of a film can be as tangible as an innocent man being freed…

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Review of Gloria (2013)

By Tina Hassannia (118) for Slant Magazine (8,298) on 06 Oct 2013

With its compelling and original approach to its romance narrative, coupled with Paulina García's nuanced and intuitive performance, the film…

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Review of Gloria (1980)

By Tina Hassannia (118) for Slant Magazine (8,298) on 06 Oct 2013

With its compelling and original approach to its romance narrative, coupled with Paulina García's nuanced and intuitive performance, the film…

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Review of Gloria (2014)

By Tina Hassannia (118) for Slant Magazine (8,298) on 06 Oct 2013

With its compelling and original approach to its romance narrative, coupled with Paulina García's nuanced and intuitive performance, the film…

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Review of The Double (2014)

By Tina Hassannia (118) for House Next Door (153) on 15 Sep 2013

Ayoade is adept at toning down the wit when the film becomes more somber and focused on the psychology of its main characters…

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Review of Devil's Knot (2013)

By Tina Hassannia (118) for House Next Door (153) on 10 Sep 2013

Devil's Knot spends the bulk of its time with two people whose straightforward backgrounds and motives make them much more palatable for a…

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Review of 12 Years a Slave (2013)

By Tina Hassannia (118) for House Next Door (153) on 09 Sep 2013

Using his signature visual composition and deafening sound design, McQueen portrays the harrowing realism of Northrup's experience and the…

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Review of Labor Day (2013)

By Tina Hassannia (118) for House Next Door (153) on 09 Sep 2013

This unexpected directorial about-face is what Reitman needed to demonstrate that he's a director with true emotional maturity…

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Review of Savannah (2013)

By Tina Hassannia (118) for Slant Magazine (8,298) on 13 Aug 2013

The film is impossible to take seriously as a commemoration of Moultrie's life or Allen's prolific status because of its plethora of contrivances…

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Review of Wasteland (2013)

By Tina Hassannia (118) for Slant Magazine (8,298) on 21 Jul 2013

At heart a heist movie, snappy and dry in its humor, clever in its elaborate robbery scheme, and somewhat bloated and unspooled in its storytelling…

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Review of The Hot Flashes (2013)

By Tina Hassannia (118) for Slant Magazine (8,298) on 09 Jul 2013

Seidelman's attempts to provide positive, alternative representations of marginalized people and problems is overly ambitious…

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Review of As Cool as I Am (2013)

By Tina Hassannia (118) for Slant Magazine (8,298) on 05 Jun 2013

The film is the cinematic equivalent of a teenager, making everything more melodramatic than it needs to be, and impatient with the subtle…

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Review of What Richard Did (2012)

By Tina Hassannia (118) for Slant Magazine (8,298) on 24 Apr 2013

The film's structure as a character study helps to subtly underscore the flawed justifications of a privileged kid's thought patterns and unchallenged…

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Review of It's a Disaster (2013)

By Tina Hassannia (118) for Slant Magazine (8,298) on 04 Apr 2013

The film flirts with big ideas about adult relationships, but fails to locate any gravitas about its characters' existential or psychological crises…

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Review of New World (2013)

By Tina Hassannia (118) for Slant Magazine (8,298) on 21 Mar 2013

This is action-thriller feather preening, but all the wit in the world can't hide the narrative sprawl that rots from within…

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Review of Movie 43 (2013)

By Tina Hassannia (118) for Slant Magazine (8,298) on 28 Jan 2013

This is barely a movie at all, mostly due to its structural similarities to SNL, but also because it acknowledges the fact that its own premises…

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Review of Badlands (1974)

By Tina Hassannia (118) for Slant Magazine (8,298) on 07 Jan 1985

Where it’s not refined in form, Badlands is so by virtue of the specificity of its material (the then-topical sensationalism of teenage sociopaths…

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