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Last updated: 26 Jul 2026 at 20:16 UTC

Movie Reviews by Tim Grierson - Page 7 of 75

121-140 of 1,482 Reviews

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Review of Top Gun: Maverick (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 12 May 2022

Featuring a rousing finale — two of them, actually — and substantial nostalgic pleasures, the new film can’t quite balance its desire…

Review of Doctor Strange in the Multiverse of Madness (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 03 May 2022

When Raimi is allowed to indulge his weird streak — especially during an audacious third act — the picture pushes past the franchise’s…

Review of Memory (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 27 Apr 2022

Director Martin Campbell (Casino Royale) applies his usual slick professionalism to a genre piece that touches on mortality, regret and child…

Review of Memory (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 27 Apr 2022

Director Martin Campbell (Casino Royale) applies his usual slick professionalism to a genre piece that touches on mortality, regret and child…

Review of Memory (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 27 Apr 2022

Director Martin Campbell (Casino Royale) applies his usual slick professionalism to a genre piece that touches on mortality, regret and child…

Review of The Unbearable Weight of Massive Talent (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 15 Apr 2022

A satire of Hollywood ego, a loving tribute to Cage’s hair-trigger intensity and a consistently funny bromance, Massive Talent doesn’t…

Review of Father Stu (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 15 Apr 2022

Intermittently, Father Stu hints at Long’s fascinating contradictions — his earthy bluntness mixing with his sensitive belief in the divine…

Review of Murina (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 12 Apr 2022

Murina is a superb study in sustained subliminal menace, with Gracija Filipovic especially skilled playing a young woman learning how to utilise…

Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 05 Apr 2022

Impeccably crafted but only intermittently gripping, the third instalment in the Fantastic Beasts franchise has the scope and sweep of an epic…

Review of Morbius (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 30 Mar 2022

This horror-action picture offers modest genre pleasures and a consistently spooky vibe, resulting in a film that has been designed chiefly…

Review of Sonic the Hedgehog 2 (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 28 Mar 2022

From a technical standpoint, Sonic The Hedgehog 2 is fairly impressive in its merging of live-action and animation, a reminder of the technological…

Review of The Contractor (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 28 Mar 2022

This unfussy action-thriller has a lot of Jason Bourne in its bloodstream, with director Tarik Saleh focusing on taut pacing and crisp sequences…

Review of Ambulance (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 24 Mar 2022

For all its showy excesses, sophomoric humour and strained gravitas, Ambulance is often riveting, the film speeding along as recklessly as…

Review of The Lost City (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 22 Mar 2022

Sandra Bullock and Channing Tatum have a great, flirtatious rapport in The Lost City, yet something is missing in this romantic-comedy action-adventure,…

Review of Cheaper by the Dozen (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 17 Mar 2022

Director Gail Lerner’s Cheaper By The Dozen is aggressively cutesy while trying to address real-world issues such as race and class…

Review of Gone in the Night (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 16 Mar 2022

Despite some resonant themes, this playful thriller grows increasingly implausible, relying on twists that neither shock nor deepen the film’s…

Review of Apollo 10½: A Space Age Childhood (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 15 Mar 2022

By this point, the 1960s have been sufficiently chronicled and celebrated, but the specificity of Linklater’s portrait nevertheless has a…

Review of Everything Everywhere All at Once (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 11 Mar 2022

Ultimately, though, Everything Everywhere is best appreciated for its grandiose ambitions, bombarding the viewer with its frenetic style while…

Review of Turning Red (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 07 Mar 2022

Turning Red is often very funny thanks to the fact that Shi lets her main character be smart and three-dimensional — the filmmaker doesn’t…

Review of The Batman (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 28 Feb 2022

As much as is possible considering all the Dark Knight films that came before, The Batman feels like its own creation, not beholden to past…

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