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Last updated: 01 Aug 2026 at 18:19 UTC

Movie Reviews by Tim Grierson - Page 34 of 75

661-680 of 1,482 Reviews

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Review of The Belko Experiment (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 13 Mar 2017

The film’s down-and-dirty nastiness does have its merits, but the bloodshed isn’t nearly as interesting when the characters are as exciting…

Review of Personal Shopper (2016)

By Tim Grierson (1,482) for The New Republic (897) on 09 Mar 2017

At any point in Personal Shopper, you may be watching a ghost story, a psychological thriller, a stalker drama, or a twisted love story…

Review of Logan (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 17 Feb 2017

Boasting a few nifty action sequences and the always-compelling Jackman, Logan self-consciously aspires to retire this iteration of the steel-clawed…

Review of The Great Wall (2016)

By Tim Grierson (1,482) for The New Republic (897) on 16 Feb 2017

In an era in which Hollywood-China co-productions are going to become a more common occurrence, what's so dispiriting about The Great Wall…

Review of Fifty Shades Darker (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 09 Feb 2017

Sometimes sexy, sometimes campy, Fifty Shades Darker is a smorgasbord of silliness, its dopey pleasures indistinguishable from its many awkwardly…

Review of John Wick: Chapter 2 (2017)

By Tim Grierson (1,482) for The New Republic (897) on 08 Feb 2017

Chapter 2 is state-of-the-art action that's sacrificed some of the charm and heart that were the first film's secret weapon…

Review of The Incredible Jessica James (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 07 Feb 2017

The Incredible Jessica James may be a slight romantic comedy, but there’s abundant pleasure in watching comedienne Jessica Williams in this…

Review of The Lego Batman Movie (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 04 Feb 2017

While this spin-off to 2014’s more consistently inspired The Lego Movie is a decidedly hit-or-miss affair, it boasts enough giddy good humour…

Review of Killing for Love (2016)

By Tim Grierson (1,482) for Screen International (2,241) on 30 Jan 2017

The Promise finds Oscar Isaac lending his soulful, heartthrob magnetism to material that fails to achieve the timeless, old-fashioned feel…

Review of Manifesto (2017)

By Tim Grierson (1,482) for Screen Daily (1,021) on 28 Jan 2017

Unavoidably uneven but fairly engaging throughout, Manifesto is a cavalcade of provocative ideas, arresting visuals and fabulous wigs…

Review of Newness (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 28 Jan 2017

An initially captivating drama that loses steam once predictability starts to take hold…

Review of Casting JonBenet (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 27 Jan 2017

The mirror it holds up to its subjects — and perhaps the audience — is incredibly, sometimes painfully illuminating…

Review of The Last Word (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 26 Jan 2017

Offering predictably heartfelt messages about seizing the day, The Last Word can be very sweet and funny, but its lightness starts to feel…

Review of Whose Streets? (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 25 Jan 2017

The film may be short on analysis, but it’s clear that systematic government failures at the local and state level have created a toxic climate,…

Review of Before I Fall (2017)

By Tim Grierson (1,482) for Paste Magazine (2,906) on 25 Jan 2017

Before I Fall doesn't entirely transcend its genre limitations, but the film's clear highlight is relative newcomer Zoey Deutch, who continues…

Review of Wilson (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 24 Jan 2017

Unfortunately, a glib superficiality hangs heavy over the narrative…

Review of The Discovery (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 22 Jan 2017

While the movie overdoes the plot twists and existential musings, The Discovery is a diverting head-trip whose reach far exceeds its grasp…

Review of The Yellow Birds (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 22 Jan 2017

The Yellow Birds is a war movie whose outlines may be familiar — but its emotional clarity gives this drama an almost crushing sense of intimacy…

Review of A Ghost Story (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 22 Jan 2017

David Lowery’s beautifully conceived riff on the haunted-house movie emits an extra glow thanks to challenging but resonant performances…

Review of The Bye Bye Man (2017)

By Tim Grierson (1,482) for Screen International (2,241) on 12 Jan 2017

Any hopes of smart social commentary or unsettling psychological underpinnings are quickly shattered by a clichéd screenplay and amateurish…

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