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Last updated: 29 Jul 2026 at 01:21 UTC

Movie Reviews by Tim Grierson - Page 22 of 75

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Review of After the Wedding (2019)

By Tim Grierson (1,482) for Screen International (2,241) on 29 Jan 2019

Despite a stellar cast led by Julianne Moore and Michelle Williams, After The Wedding never cuts very deeply, staying on the surface of a tale…

Review of Fighting with My Family (2019)

By Tim Grierson (1,482) for Screen International (2,241) on 29 Jan 2019

The film benefits from Pugh’s charismatic performance and writer-director Stephen Merchant’s cheery mixture of crowd-pleasing sentiment,…

Review of Cold Pursuit (2019)

By Tim Grierson (1,482) for Screen International (2,241) on 28 Jan 2019

This English-language remake of In Order Of Disappearance by its Norwegian director Hans Petter Moland doesn’t particularly succeed as a…

Review of High Flying Bird (2019)

By Tim Grierson (1,482) for Screen International (2,241) on 28 Jan 2019

Although compelling ideas float through High Flying Bird, the film is neither well crafted or intellectually rigorous enough to compensate…

Review of The Lego Movie 2: The Second Part (2019)

By Tim Grierson (1,482) for Screen International (2,241) on 26 Jan 2019

The fun pop-culture riffing remains, but The Second Part lacks the density of ingenuity, humour and whiz-bang action that marked the first…

Review of Vice (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 17 Dec 2018

There’s anger but no insight in Vice, a glib portrait of Dick Cheney that preaches to the choir but becomes less persuasive as it goes along…

Review of Vice (2018)

By Tim Grierson (1,482) for Screen Daily (1,021) on 17 Dec 2018

There’s anger but no insight in Vice, a glib portrait of Dick Cheney that preaches to the choir but becomes less persuasive as it goes along…

Review of The Mule (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 12 Dec 2018

While this defiantly unflashy film may similarly feel out of step, long on mawkishness and short on dynamic, arresting moments, the purity…

Review of Aquaman (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 11 Dec 2018

A superhero movie with the scope of an epic but the spirit of a mischievous boy, Aquaman is a goofy, uneven adventure that proudly sticks to…

Review of Bumblebee (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 09 Dec 2018

Director Travis Knight does his best to balance clattering spectacle with a modest girl-and-her-robot tale…

Review of Spider-Man: Into the Spider-Verse (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 28 Nov 2018

A confident blend of comic-book élan and stirring sentiment, Spider-Man: Into The Spider-Verse finds fresh ways to tell the familiar story…

Review of Creed II (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 16 Nov 2018

Contradictory impulses dominate Creed II…

Review of Mary Queen of Scots (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 16 Nov 2018

Saoirse Ronan and Margot Robbie are both superb in muted performances and, while the film’s palace intrigue gets a bit dense, the story never…

Review of Instant Family (2018)

By Tim Grierson (1,482) for Rolling Stone (4,035) on 15 Nov 2018

It’s a shame that Instant Family reduces the complexity, pain and joy of parenthood to a multiplex-palatable family comedy…

Review of Widows (2018)

By Tim Grierson (1,482) for Paste Magazine (2,906) on 15 Nov 2018

Sure, Widows is a dynamite entertainment, but it’s also more mournful, thought-provoking and intelligent than that…

Review of Ralph Breaks the Internet (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 14 Nov 2018

The sequel to 2012’s Wreck-It Ralph boasts a big heart and some clever comedic set pieces, and yet this follow-up fails to match the original’s…

Review of Bird Box (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 13 Nov 2018

Outside of its admiration for mothers, Bier’s film seems to only vaguely hint at other ephemeral ideas, and as a result Bird Box is a curiously…

Review of On the Basis of Sex (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 09 Nov 2018

The storytelling in Sex is ho-hum, but the sincerity of the undertaking — and the issues at the film’s centre — make it hard to resist,…

Review of The Grinch (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 07 Nov 2018

The filmmakers preserve Seuss’s narrative beats but strain to replicate his whimsical spirit…

Review of The Nutcracker and the Four Realms (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 02 Nov 2018

Both overstuffed and underwhelming, Disney’s spectacle-driven reimagining of the beloved holiday staple tries to serve many masters, and…

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