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Last updated: 03 Jul 2026 at 21:38 UTC

Movie Reviews by Stephen Farber - Page 14 of 15

261-280 of 295 Reviews

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Review of Basic Instinct (1992)

By Stephen Farber (295) for Movieline (883) on 09 Jan 2002

It's almost completely lacking in suspense…

Review of Barton Fink (1991)

By Stephen Farber (295) for Movieline (883) on 09 Jan 2002

[The Coens'] most entertaining movie because it's explicitly about old Hollywood, their one true passion…

Review of Happy, Texas (1999)

By Stephen Farber (295) for Movieline (883) on 09 Jan 2002

Jeremy Northam gives a deft performance and Steve Zahn is especially brilliant in delineating his character's transformation from illiterate…

Review of Losing Isaiah (1995)

By Stephen Farber (295) for Movieline (883) on 09 Jan 2002

Although Halle Berry makes a creditable effort to play against her glamorous image, she's no match for Lange…

Review of What About Bob? (1991)

By Stephen Farber (295) for Movieline (883) on 09 Jan 2002

Both Dreyfuss and Murray give droll performances, and the film resists the temptation to side with either nut…

Review of The Fugitive (1993)

By Stephen Farber (295) for Movieline (883) on 09 Jan 2002

If you were expecting subtlety, you should have your head examined, but this money machine works like gangbusters…

Review of Very Bad Things (1998)

By Stephen Farber (295) for Movieline (883) on 09 Jan 2002

There are some hysterically funny bits, but the excessive violence sometimes kills the laughter…

Review of Reservoir Dogs (1992)

By Stephen Farber (295) for Movieline (883) on 09 Jan 2002

Like many young directors, Quentin Tarantino is overly infatuated with Scorsese, but he shows talent -- in his work with the actors, and in…

Review of Shaking the Tree (1991)

By Stephen Farber (295) for Movieline (883) on 09 Jan 2002

A few cliched scenes grate, but one looks forward to seeing what Clark will do next; he shows a welcome determination to make films that illuminate…

Review of The Quick and the Dead (1995)

By Stephen Farber (295) for Movieline (883) on 09 Jan 2002

Even when the script for The Quick and the Dead runs out of surprises, which is very early, director Sam Raimi keeps the action fast and funny,…

Review of Howards End (1992)

By Stephen Farber (295) for Movieline (883) on 09 Jan 2002

At a time when the success of the abysmal Wayne's World may usher in a new wave of cretinous teen movies, Howards End seems like a glorious…

Review of Farewell My Concubine (1993)

By Stephen Farber (295) for Movieline (883) on 09 Jan 2002

Luxurious, memorable scenes bring the past alive, though the editing is sometimes choppy and confusing…

Review of Kika (1993)

By Stephen Farber (295) for Movieline (883) on 09 Jan 2002

Almodovar's latest movie, Kika, is...an outrageous campy comedy about the omnipresence of tabloid TV…

Review of Endurance (1999)

By Stephen Farber (295) for Movieline (883) on 09 Jan 2002

It has neither the compelling authenticity of cinema verite nor the dramatic punch of artful fiction…

Review of Mississippi Masala (1991)

By Stephen Farber (295) for Movieline (883) on 09 Jan 2002

Nair and her screenwriter, Sooni Taraporevala, sometimes lose their focus trying to juggle half a dozen subplots…

Review of Female Perversions (1996)

By Stephen Farber (295) for Movieline (883) on 09 Jan 2002

Humorless and swathed in symbolism, it taunts us with cerebral puzzles that we may not care to solve…

Review of Psycho Beach Party (2000)

By Stephen Farber (295) for Movieline (883) on 09 Jan 2002

Technically primitive but still enjoyable raunchfest…

Review of The Spanish Prisoner (1997)

By Stephen Farber (295) for Movieline (883) on 09 Jan 2002

As the movie keeps piling on surprise revelations, it becomes more convoluted without ever managing to be satisfying or exciting…

Review of Clay Pigeons (1998)

By Stephen Farber (295) for Movieline (883) on 09 Jan 2002

It's a beautifully structured piece with a high quotient of neat, shocking twists…

Review of Se7en (1995)

By Stephen Farber (295) for Movieline (883) on 06 Nov 2001

What Freeman brings to the movie is humanity at the heart of a nightmare…

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