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Last updated: 10 Jun 2026 at 10:10 UTC

Movie Reviews by Stanley Kauffmann - Page 7 of 23

121-140 of 447 Reviews

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Review of Happy, Happy (2010)

By Stanley Kauffmann (447) for The New Republic (897) on 18 Jun 2013

Sewitsky is a bit too fond of the handheld camera, but she is immediate, close…

Review of I’m Glad My Mother Is Alive (2009)

By Stanley Kauffmann (447) for The New Republic (897) on 18 Jun 2013

Sophie Cattani as Julie takes us with her over several borders, and Vincent Rottiers as the latter-day Thomas is complete in his inchoate anger…

Review of The Mill and the Cross (2011)

By Stanley Kauffmann (447) for The New Republic (897) on 18 Jun 2013

We almost feel that we ourselves have accomplished something just by being around while Bruegel doodled…

Review of Michael (2011)

By Stanley Kauffmann (447) for The New Republic (897) on 17 Jun 2013

Another full unfaltering performance by a child. This time it's in a horror film…

Review of Michael (2011)

By Stanley Kauffmann (447) for The New Republic (897) on 17 Jun 2013

Another full unfaltering performance by a child. This time it's in a horror film…

Review of The Kid with a Bike (2011)

By Stanley Kauffmann (447) for The New Republic (897) on 17 Jun 2013

The directing by the Dardenne brothers reflects their previous work: it wants to be unnoticed either for virtuosity or clumsiness, yet only…

Review of Barrymore (2012)

By Stanley Kauffmann (447) for The New Republic (897) on 16 Jun 2013

The interest is in Plummer himself-who he is, what he can do…

Review of The Other Son (2012)

By Stanley Kauffmann (447) for The New Republic (897) on 16 Jun 2013

It is easy to imagine other, darker, results after the opening accident, but Levy's film, pitched firmly as if it were the only possibility,…

Review of Teddy Bear (2012)

By Stanley Kauffmann (447) for The New Republic (897) on 16 Jun 2013

The sex and filial troubles of 308-pound persons are not exactly common…

Review of Amour (2012)

By Stanley Kauffmann (447) for The New Republic (897) on 16 Jun 2013

This is realism that enlarges our conception of the term…

Review of Barbara (2012)

By Stanley Kauffmann (447) for The New Republic (897) on 16 Jun 2013

It persuades us early on that its aura of political tension and suspicion, its taciturnity, its very strictness of silent observation as it…

Review of Caesar Must Die (2012)

By Stanley Kauffmann (447) for The New Republic (897) on 16 Jun 2013

It is almost an impertinence to think that we understand the thoughts of these actors and those in the audience who are relatives and friends…

Review of Post Tenebras Lux (2012)

By Stanley Kauffmann (447) for The New Republic (897) on 16 Jun 2013

The result calls for a viewing as different as looking at a Vermeer against Rothko or de Kooning or multiple other modern painters…

Review of You've Been Trumped (2012)

By Stanley Kauffmann (447) for The New Republic (897) on 16 Jun 2013

Anthony Baxter gives us a vivid documentary called You've Been Trumped that treats [Donald Trump] as a smooth, credible, inevitable historical force…

Review of Beasts of the Southern Wild (2012)

By Stanley Kauffmann (447) for The New Republic (897) on 16 Jun 2013

What is also extraordinary is that almost all the people we see are actors…

Review of Gregory Crewdson: Brief Encounters (2012)

By Stanley Kauffmann (447) for The New Republic (897) on 16 Jun 2013

A vigorous and knowledgeable documentary about a still photographer…

Review of A Late Quartet (2012)

By Stanley Kauffmann (447) for The New Republic (897) on 16 Jun 2013

We can note immediately that Zilberman has the requisite gifts…

Review of How to Survive a Plague (2012)

By Stanley Kauffmann (447) for The New Republic (897) on 16 Jun 2013

David France has made an absorbing film to document that moment of immense implosion, called How to Survive a Plague…

Review of Andre Gregory: Before and After Dinner (2013)

By Stanley Kauffmann (447) for The New Republic (897) on 13 Jun 2013

At last. A documentary that I didn't even know I was waiting for…

Review of Towheads (2013)

By Stanley Kauffmann (447) for The New Republic (897) on 13 Jun 2013

It is not quite explicable, but Towheads, in its relatively small means and large compass, had for me a touching overtone of bravery…

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