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Simran Hans

Last updated: 14 Jun 2026 at 00:31 UTC

Movie Reviews by Simran Hans - Page 9 of 21

161-180 of 401 Reviews

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Review of The Wedding Guest (2019)

By Simran Hans (401) for The Observer (UK) (826) on 26 Jul 2019

Patel excels as a smouldering, enigmatic antihero who gradually begins to drop his defences; Apte might be even better as the duplicitous femme…

Review of Varda by Agnès (2019)

By Simran Hans (401) for The Observer (UK) (826) on 21 Jul 2019

What’s so invigorating is the way she gives each principle equal weighting, discussing her formal decisions, such as Cléo’s editing or…

Review of Tell It to the Bees (2019)

By Simran Hans (401) for The Observer (UK) (826) on 21 Jul 2019

Grainger (soon to be seen in Sophie Hyde’s brilliant, jagged Animals) is a magnetic and sensual foil to the frowning, reliably expressive…

Review of Vita & Virginia (2019)

By Simran Hans (401) for The Observer (UK) (826) on 07 Jul 2019

Debicki (The Tale, Widows) is wonderful as Woolf, a wry and solemn observer, but the rest of the film is all too literal…

Review of Midsommar (2019)

By Simran Hans (401) for The Observer (UK) (826) on 07 Jul 2019

The film works better as a comedy than a horror, skewering its ignorant US tourists, and better still as a spiteful relationship drama…

Review of Spider-Man: Far From Home (2019)

By Simran Hans (401) for The Observer (UK) (826) on 07 Jul 2019

Back in New York and with Iron Man gone, everyone’s asking Spider-Man if he is going to be the new lead Avenger; Holland is an endearing…

Review of Brightburn (2019)

By Simran Hans (401) for The Observer (UK) (826) on 23 Jun 2019

In its attempts to provide an antidote to the Marvel Cinematic Universe’s catalogue of liberal fantasies, the film swings too far in the…

Review of Stockholm (2019)

By Simran Hans (401) for The Observer (UK) (826) on 23 Jun 2019

There’s comedy in its depiction of the Swedish prime minister as a caricature of even-temperedness, but from its gaudy 70s costuming to its…

Review of Child's Play (2019)

By Simran Hans (401) for The Observer (UK) (826) on 23 Jun 2019

There are some gory moments (a man’s leg is sliced, the flesh falling off like meat from a rotisserie, and a sleazy character has a grisly…

Review of The Etruscan Smile (2018)

By Simran Hans (401) for The Observer (UK) (826) on 03 Jun 2019

Indeed, I’d have happily watched Cox flirt with Rosanna Arquette’s museum curator for 90 minutes; her game attempts to parrot his Gaelic…

Review of Sunset (2019)

By Simran Hans (401) for The Observer (UK) (826) on 02 Jun 2019

The film’s formal qualities obscure Nemes’s intentions instead of illuminating them…

Review of Godzilla, King of the Monsters! (1956)

By Simran Hans (401) for The Observer (UK) (826) on 02 Jun 2019

The ugly visual effects are outdone only by the sound design, which is relentlessly loud and thunderingly tedious…

Review of Ma (2019)

By Simran Hans (401) for The Observer (UK) (826) on 01 Jun 2019

Those who enjoy Blumhouse productions for their unabashed silliness will be pleased to discover a sticky slice of schlock, with both household…

Review of Godzilla: King of the Monsters (2019)

By Simran Hans (401) for The Observer (UK) (826) on 01 Jun 2019

The ugly visual effects are outdone only by the sound design, which is relentlessly loud and thunderingly tedious…

Review of Aladdin (2019)

By Simran Hans (401) for The Observer (UK) (826) on 28 May 2019

Mena Massoud’s boyband haircut brings a certain charm, but like the rest of the film, he’s blandly competent…

Review of XY Chelsea (2019)

By Simran Hans (401) for The Observer (UK) (826) on 28 May 2019

Hawkins seems beguiled by Manning’s natural charisma, and more interested in the highs and lows of her personal reckoning…

Review of Booksmart (2019)

By Simran Hans (401) for The Observer (UK) (826) on 24 May 2019

Wilde expertly modulates the giddy highs and bittersweet lows of being a teenager, as demonstrated in the way the film’s house party climax…

Review of High Life (2019)

By Simran Hans (401) for The Observer (UK) (826) on 14 May 2019

The gravitational pull of sex, death and the void is palpable…

Review of Pokémon Detective Pikachu (2019)

By Simran Hans (401) for The Observer (UK) (826) on 13 May 2019

The CGI critters are seamlessly integrated with the 35mm cinematography, the film stock’s grain smoothing the visual tackiness…

Review of Destination Wedding (2018)

By Simran Hans (401) for The Observer (UK) (826) on 13 May 2019

Writer-director Victor Levin’s caustic take on the romcom works better as a treatise on the genre than as an example of it…

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