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Last updated: 27 Jul 2026 at 20:22 UTC

Movie Reviews by Simon Abrams - Page 10 of 37

181-200 of 730 Reviews

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Review of Trespassers (2019)

By Simon Abrams (730) for RogerEbert.com (5,563) on 12 Jul 2019

Trespassers is fairly timid, as far as home-invasion thrillers go: it’s got some machete - and gun-related violence, a couple of leering…

Review of Killers Anonymous (2019)

By Simon Abrams (730) for RogerEbert.com (5,563) on 28 Jun 2019

Killers Anonymous just doesn't make sense as a throwback to MTV-friendly sensibilities…

Review of Our time (2019)

By Simon Abrams (730) for RogerEbert.com (5,563) on 14 Jun 2019

Our Time is even funny sometimes, albeit in the same kind of wryly mordant and cosmically alienated way as Stanley Kubrick’s “Eyes Wide Shut.”…

Review of The Raft (2019)

By Simon Abrams (730) for RogerEbert.com (5,563) on 07 Jun 2019

One of the main pleasures of watching The Raft, a new documentary that combines decades-old footage of the Acali's 101-day voyage with modern-day…

Review of The Raft (2019)

By Simon Abrams (730) for RogerEbert.com (5,563) on 06 Jun 2019

One of the main pleasures of watching The Raft, a new documentary that combines decades-old footage of the Acali's 101-day voyage with modern-day…

Review of Brightburn (2019)

By Simon Abrams (730) for RogerEbert.com (5,563) on 23 May 2019

A machine to deliver gore and violence, Brightburn also features some of the most improbably and even hatefully dumb salt-of-the-Earth type…

Review of Charlie Says (2019)

By Simon Abrams (730) for RogerEbert.com (5,563) on 09 May 2019

Charlie Says loses much of its potency whenever it's not directly about the ordinary motives of the individual Manson clan members…

Review of Sunset (2019)

By Simon Abrams (730) for RogerEbert.com (5,563) on 22 Mar 2019

Unlike most costume dramas, Sunset — a moving Hungarian character study set in Budapest during 1913 — isn't a movie you can easily get…

Review of Relaxer (2019)

By Simon Abrams (730) for RogerEbert.com (5,563) on 22 Mar 2019

Relaxer is a light, but moody comedy about an irredeemable loser who is too unwell to save himself…

Review of We Die Young (2019)

By Simon Abrams (730) for RogerEbert.com (5,563) on 01 Mar 2019

Castañeda and Van Damme's scene-stealing performances don't significantly improve writer/director Lior Geller's frequent reliance on racial…

Review of The Wandering Earth (2019)

By Simon Abrams (730) for RogerEbert.com (5,563) on 18 Feb 2019

A week after seeing The Wandering Earth, I'm still marveling at how good it is…

Review of The Prodigy (2019)

By Simon Abrams (730) for RogerEbert.com (5,563) on 08 Feb 2019

The Prodigy doesn't work because Buhler's scenario is too predictable to be involving and McCarthy's direction is too indecisive to be gripping…

Review of The Kid Who Would Be King (2019)

By Simon Abrams (730) for RogerEbert.com (5,563) on 22 Jan 2019

Cornish's gift for working with child actors is still apparent, as is his knack for dynamic action set pieces…

Review of Escape Room (2019)

By Simon Abrams (730) for RogerEbert.com (5,563) on 04 Jan 2019

A sometimes diverting, but overly familiar series of set pieces in search of a good melodrama…

Review of Genesis 2.0 (2018)

By Simon Abrams (730) for RogerEbert.com (5,563) on 02 Jan 2019

This film's biggest problem is its emphasis on media-friendly personalities instead of useful information…

Review of Renegades (2017)

By Simon Abrams (730) for RogerEbert.com (5,563) on 25 Dec 2018

A cross between Ocean's 11 and The Expendables. American Renegades is also not nearly as fun as that sounds…

Review of Renegades (1989)

By Simon Abrams (730) for RogerEbert.com (5,563) on 25 Dec 2018

A cross between Ocean's 11 and The Expendables. American Renegades is also not nearly as fun as that sounds…

Review of Bumblebee (2018)

By Simon Abrams (730) for RogerEbert.com (5,563) on 21 Dec 2018

There's not only nothing new here, there's nothing convincing either…

Review of Between Worlds (2018)

By Simon Abrams (730) for RogerEbert.com (5,563) on 21 Dec 2018

Between Worlds is also, unfortunately, a weird Twin Peaks homage, complete with industrial band ohGr's not-so-industrial, Twin Peaks-y score…

Review of Dead Souls (2018)

By Simon Abrams (730) for RogerEbert.com (5,563) on 17 Dec 2018

A massive, imposing work of non-fiction filmmaking that demands attention despite also being the sort of artwork that doesn't really need any…

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Simon Abrams has written reviews for:

Village Voice (8,525)
Slant Magazine (8,298)
Chicago Sun-Times (7,580)
Time Out (7,510)
RogerEbert.com (5,563)
Guardian (4,584)
The Playlist (3,871)
TheWrap (3,203)
The Guardian (2,969)
NPR (1,713)

Simon Abrams is connected to:

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