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Last updated: 04 Jun 2026 at 18:42 UTC

Movie Reviews by Sherilyn Connelly - Page 8 of 22

141-160 of 422 Reviews

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Review of The Bad Batch (2017)

By Sherilyn Connelly (422) for SF Weekly (560) on 21 Jun 2017

Although Ana Lily Amirpour's new The Bad Batch has much higher production values, her A Girl Walks Home Alone at Night is a tough act to follow,…

Review of Manifesto (2017)

By Sherilyn Connelly (422) for SF Weekly (560) on 21 Jun 2017

Cate Blanchett plays 13 unconnected characters in wildly disparate situations who shout, whisper, and otherwise recite both famous and not-so-famous…

Review of The Hero (2017)

By Sherilyn Connelly (422) for SF Weekly (560) on 14 Jun 2017

The well-worn plot is ultimately not as important as the simpler, moment-to-moment pleasures of hanging out with Elliott…

Review of Abacus: Small Enough to Jail (2017)

By Sherilyn Connelly (422) for SF Weekly (560) on 07 Jun 2017

Abacus: Small Enough to Jail works as both a true-life legal thriller and a portrait of a tight-knit community under a tone-deaf siege…

Review of Churchill (2017)

By Sherilyn Connelly (422) for SF Weekly (560) on 30 May 2017

In its study of a famously tubby alpha male and how his wife helped him through one of the most difficult parts of his career, Churchill has…

Review of Prevenge (2017)

By Sherilyn Connelly (422) for SF Weekly (560) on 18 May 2017

It still has the spirit of a Wright production, and that's a standard to which all violent comedies should aspire…

Review of Radio Dreams (2017)

By Sherilyn Connelly (422) for SF Weekly (560) on 18 May 2017

One of the more touching of [the] stories finds poetry in the fact that you're never more than 20 minutes from water in this town. (Hunh.)…

Review of Angkor Awakens: A Portrait of Cambodia (2017)

By Sherilyn Connelly (422) for SF Weekly (560) on 18 May 2017

Lieberman looks at the broader picture of how it happened and how the current generation of Cambodians move past their parents' lingering trauma…

Review of Obit (2017)

By Sherilyn Connelly (422) for SF Weekly (560) on 10 May 2017

Obit's stealth hero is Jeff Roth, keeper of the Times' archive of clippings and photographs…

Review of Buster's Mal Heart (2017)

By Sherilyn Connelly (422) for SF Weekly (560) on 03 May 2017

Nobody plays barely maintained sanity like Malek, it's fun to spot all the unintentional Mr…

Review of A Quiet Passion (2016)

By Sherilyn Connelly (422) for SF Weekly (560) on 03 May 2017

A Quiet Passion…

Review of Voice from the Stone (2017)

By Sherilyn Connelly (422) for Village Voice (8,525) on 27 Apr 2017

The film suffers from pacing problems and an unfortunate usage of its female lead…

Review of David Lynch: The Art Life (2017)

By Sherilyn Connelly (422) for SF Weekly (560) on 27 Apr 2017

Though it will mostly appeal to fans of Lynch and/or modern art, everyone can appreciate a harrowing story involving his college roommate Peter…

Review of Your Name. (2016)

By Sherilyn Connelly (422) for Village Voice (8,525) on 05 Apr 2017

Makoto Shinkai's lush mindbender Your Name has many elements that are familiar on their own but here combine to create something unique…

Review of American Anarchist (2016)

By Sherilyn Connelly (422) for SF Weekly (560) on 24 Mar 2017

American Anarchist makes the interesting choice of saving Powell's difficult childhood for the end, and while it was tragic, most people with…

Review of Love & Taxes (2015)

By Sherilyn Connelly (422) for SF Weekly (560) on 16 Mar 2017

Granted, the only other film in the KCU thus far is Josh and Jacob's 2001 Haiku Tunnel, but that's still batting a thousand…

Review of The Ottoman Lieutenant (2017)

By Sherilyn Connelly (422) for SF Weekly (560) on 09 Mar 2017

In spite of its stuffy outward appearance, The Ottoman Lieutenant retains its director's B-movie sensibilities, and is all the better for it…

Review of Kedi (2017)

By Sherilyn Connelly (422) for SF Weekly (560) on 02 Mar 2017

You'll be hard-pressed to find a documentary more aesthetically and emotionally satisfying this year than Ceyda Torun's KEDi, about the hundreds…

Review of I Am Not Your Negro (2017)

By Sherilyn Connelly (422) for SF Weekly (560) on 02 Feb 2017

Raoul Peck's powerful documentary I Am Not Your Negro is not a straight-up biography of writer and civil rights icon James Baldwin, nor does…

Review of Toni Erdmann (2016)

By Sherilyn Connelly (422) for SF Weekly (560) on 19 Jan 2017

The movie's most impressive trick is that while Winfried's stated philosophy is Don't lose the humor, his disguises never descend into a Patch…

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Sherilyn Connelly has written reviews for:

Village Voice (8,525)
SF Weekly (560)

Sherilyn Connelly is connected to:

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