Movie Reviews by Shelagh Rowan-Legg - Page 4 of 4

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Review of Thor (2011)

By Shelagh Rowan-Legg (77) for Dork Shelf (109) on 13 May 2018

This, my friends, is what a summer movie should be: exciting, clever, comedic, and a joyride…

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Review of Vampire (2011)

By Shelagh Rowan-Legg (77) for Dork Shelf (109) on 13 May 2018

While this might sound like the outline of a horror film, director Iwai Shunji's remarkable film Vampire is in truth a quiet, dark, and intense…

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Review of Intruders (2013)

By Shelagh Rowan-Legg (77) for Dork Shelf (109) on 13 May 2018

The film just isn't consistently frightening enough, tips its hand too early, and makes it difficult to emotionally invest in the characters…

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Review of The Adventures of Tintin (2011)

By Shelagh Rowan-Legg (77) for Dork Shelf (109) on 13 May 2018

This is a rollicking adventure film, aimed at a young audience, but still to be appreciated by adults…

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Review of The Future (2011)

By Shelagh Rowan-Legg (77) for Dork Shelf (109) on 13 May 2018

July has a fascination for strangers, and how the comforts of the ordinary life perhaps become so comfortable that our reaction is to break…

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Review of Intruders (2011)

By Shelagh Rowan-Legg (77) for Dork Shelf (109) on 13 May 2018

The film just isn't consistently frightening enough, tips its hand too early, and makes it difficult to emotionally invest in the characters…

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Review of Red State (2011)

By Shelagh Rowan-Legg (77) for Dork Shelf (109) on 13 May 2018

Smith has proven he can create a dark, intense film that is riveting and raw, and unabashed in its examination of the serious threat of the…

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Review of Black Panther (2018)

By Shelagh Rowan-Legg (77) for ScreenAnarchy (469) on 15 Feb 2018

Black Panther is a feast for the eyes, the ears, the heart and the mind, a film that has action, heart, substance, and soul…

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Review of The Rider (2018)

By Shelagh Rowan-Legg (77) for ScreenAnarchy (469) on 10 Jan 2018

The Rider confirms Zhao as one of the great new American directors, looking at the lives of people too often ignored in cinema, and in a way…

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Review of The Endless (2017)

By Shelagh Rowan-Legg (77) for ScreenAnarchy (469) on 23 Dec 2017

The Endless [is] a meta-commentary of the nature of storytelling and a self-examination of the creative mind, the film will likely have its…

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Review of The White King (2016)

By Shelagh Rowan-Legg (77) for ScreenAnarchy (469) on 14 Dec 2017

The White King is an impressive feature debut…

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Review of Five Fingers for Marseilles (2018)

By Shelagh Rowan-Legg (77) for ScreenAnarchy (469) on 05 Nov 2017

Fiver Fingers for Marseillesis a distinctly South African syntax of how the western genre can be reinvigorated in a new form…

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Review of Marjorie Prime (2017)

By Shelagh Rowan-Legg (77) for ScreenAnarchy (469) on 05 Nov 2017

Marjorie Prime is a rare, conversation film that still demands to be seen on the big screen, to fully appreciate its performances and its subtle power…

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Review of The Levelling (2017)

By Shelagh Rowan-Legg (77) for ScreenAnarchy (469) on 03 Nov 2017

A remarkable and confident debut, The Levelling is haunting look at how grief can tear people apart and bring them together…

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Review of Professor Marston and the Wonder Women (2017)

By Shelagh Rowan-Legg (77) for ScreenAnarchy (469) on 03 Nov 2017

Professor Marston and the Women Women is a seemless blend of biography, history, and cultural scrutiny, blended together with a necessarily…

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Review of The Shape of Water (2017)

By Shelagh Rowan-Legg (77) for ScreenAnarchy (469) on 03 Nov 2017

Beautiful, sensuous, fully wearing its heart on its sleeve, with top-notch performances and a wondrous soundtrack, The Shape of Water does…

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Review of The Killing of a Sacred Deer (2017)

By Shelagh Rowan-Legg (77) for ScreenAnarchy (469) on 03 Nov 2017

Lanthimos' warped vision finds an unsettling but effective home in the horror tropes explored in The Killing of a Sacred Deer…

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Shelagh Rowan-Legg has written reviews for:

ScreenAnarchy (469)
Dork Shelf (109)

Shelagh Rowan-Legg is connected to:

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